Almasi Collaborative Arts announced that it is running a two-week Directing and Stage Management Workshop in Harare, led by U.S.-based theatre director and producer Adam Immerwahr.
The program, which runs from April 20 to May 2, brings together 18 early- and mid-career theatre practitioners for hands-on training.
The workshop is designed to bridge the gap between creative vision and technical execution, offering participants practical experience in areas such as script analysis, blocking and backstage coordination.
Organisers say the initiative reflects a broader effort to professionalise Zimbabwe’s theatre industry while connecting local talent to global standards.
Participants will also take part in a public showcase on May 2, presenting scenes developed during the workshop as part of a free performance open to audiences.
The program forms part of Almasi’s broader development strategy under its “Africa Voices Now!” initiative, which aims to amplify African storytelling through training, mentorship and international collaboration.
Gideon Wabvuta, the organisation’s programs director, said the return of Immerwahr — now on his third visit to Zimbabwe — reflects a sustained commitment to building local capacity.
“It is a great pleasure to welcome Mr Immerwahr back to Zimbabwe for his third visit, where he will be training our directing and stage management artists in the art of helming a production and managing a creative room,” Wabvuta said.
“By continuing our collaboration with Mr Immerwahr, we are strengthening our commitment to cultural exchange as an essential pillar of collaborative development,” he added, noting that the workshop is part of a wider series of training programs planned for the year.
Immerwahr, who currently serves as artistic director of Village Theatre in Washington State, has built a career focused on developing new work and expanding inclusive storytelling.
His previous roles include leadership positions at Theatre J and the Tony Award-winning McCarter Theatre, where he contributed to productions such as Eclipsed by Zimbabwean-American playwright Danai Gurira.
Almasi, co-founded by Gurira, has positioned itself as a key institution in Zimbabwe’s creative sector, offering training programs that connect local artists with international expertise.
Organisers say the workshop is intended not only to sharpen technical skills but also to prepare participants to take on leadership roles within Zimbabwe’s growing theatre landscape.
As the country’s arts industry continues to evolve, initiatives such as this one signal a shift toward structured professional development, an approach that could help local productions compete on a global stage while preserving distinct African narratives.
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