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Alexio’s Brave Resurrection, Nothing to Fear: His Spot is Solidified

When walking solo in the plains of the savanna, with tall grass and predatory felines as the only company, would fear creep in at all?

 

Even when one goes on a very long hiatus from the public, is there anything to be afraid of when making a comeback?

The answer is simple: Hatitye. Loosely translated, hatitye means “we are not afraid.”

This is the track Mr. Alexio Kawara has chosen to resurrect his — never frail but often overlooked career: Hatitye.

His previous album releases, Tose and Kana, coupled with a plethora of singles, had already made him a household name.

Although it is clear from his latest release that he is likely to dominate the gospel genre as he did during his Urban Grooves era, Alexio will have to put in the work and remain consistent.

Like his fellow former Urban Groover, Tembalami, Alexio can easily become a force in gospel music.

What sets him apart is his ability to switch between genres that’s pure magic.
For someone who has been widely known for love songs, this switch could elevate him into uncharted territory: gospel music.

His voice on a pure Afro-beats track could still melt hearts as it did in his earlier days. Hatitye proves that.

An inscription about the song on YouTube describes it like this: Hatitye is a Shona word which means “we are fearless.”

This song speaks to the fears that hinder us from reaching our God-given destinies. We are assured of victory because God, the Creator, has given us the Way in the form of His Son, Jesus Christ. We walk fearlessly because we trust Him to lead the Way.

Could he be telling his fans that he now knows his destiny? The setting of the visuals alone speaks volumes showing that even in plains and unnatural environments, one need not fear as long as the Lord is with them.

The greatest tale told by this uniquely sounding track is its emphasis on the Word of God.
Alexio starts by digging up a Shona Bible, as if to symbolise the new musical path he is now taking.

Then, he leads a band of followers in single file perhaps to show that he is now guiding people toward the one true God.

His vocal prowess is not to be underestimated. He starts in a very low register and gradually shifts to higher notes, inviting the melodious backing vocalists.

Even the production quality of the song is exquisite. (Jairosi Hambahamba produced it; visuals were done by Simba Gee.)

The void he left, he has returned to fill. No other musician can do what Alexio does.
This is a beautiful song that could leave a mark on Africa.

Now, we wait for more new tracks from Lex. We can only hope they come soon.

Until then, PEACE…

Zimbabwe Defeat Kenya to Move One Step Closer to Rugby World Cup

Zimbabwe’s Sables edged past fierce rivals Kenya 29–23 in a fiercely contested Rugby Africa Cup semi-finals encounter at Mandela National Stadium, in Nambole, Uganda.

 

The victory books Zimbabwe a place in the final against southern foes Namibia, and inches them tantalisingly closer to their long-awaited return to the Rugby World Cup.

The Sables drew first blood early in the opening exchanges, thanks to a moment of sublime chemistry between centres Brendon Mudzekenyedzi and Edward Sigauke.

The duo sliced through the Kenyan defence with surgical precision, and Mudzekenyedzi dotted down a marvellous try, the kind that would not be out of place on a grander stage.

Kenya, undeterred and flamboyant, responded with a try of their own but failed to convert, levelling the scores at 5–5. Redemption soon came for Prior, who slotted a penalty with calm assurance, nudging Zimbabwe into an 8–5 lead.

The game turned cagey as both teams wrestled for control in the midfield.

With possession as the ultimate dictator, neither side was willing to yield.

But a yellow card to Kenya’s Griffin Chao for a cynical infringement handed the Sables a numerical advantage, tilting momentum ever so slightly in their favour.

Kenya clawed back with a penalty to make it 8–8, but it was Zimbabwean skipper Hilton Mudariki who reasserted dominance.

Exploiting the narrowest of gaps after a series of disciplined mauls, he dotted down to reclaim the lead.

Yet, the Kenyans were like cornered lions—dangerous and unyielding—and answered with a try of their own, dragging the score to 13–11 in Zimbabwe’s favour.

Tapiwa Mafura continued to mesmerise with his evasive running, carving crucial yards, though Prior’s radar momentarily faltered as he missed a penalty in front of the sticks.

That lapse would cost them—Kenya struck on the counter following a defensive lapse, scoring a converted try to take an 18–13 lead into halftime.

The second half resumed with thunderous energy. Victor Mupunga, patched up from a blood injury, returned to the front row with renewed grit.

The back-and-forth continued as Bornwell Gwinji, replacing Cleopas Kundiona, surged through with power carries.

Meanwhile, the midfield remained firmly under Zimbabwean control, as Mudzekenyedzi and Kudzai Mashawi kept the Kenyan backs on their heels.

Aiden Burnett, absent in the quarterfinals, made his presence known.

Substituted in for Jason Fraser, Burnett pounced with fury, scoring beside the posts after a powerful driving effort from the forwards.

Prior converted with ease, and the Sables were back in front, 20–18.

The closing stages became a tactical and mental war. Prior extended the lead with a deftly taken drop goal—calm, clinical, composed—putting Zimbabwe 23–18 ahead. But the Kenyans refused to fade, roaring back in search of possession and territory.

When a penalty was awarded in the 75th minute, Prior stepped up with ice in his veins and struck from outside the 22-yard line, stretching the lead to 26–18. Kenya, needing both a try and a penalty in the final five minutes, threw everything forward.

But it was Prior once more, the calm amidst the storm, who delivered the death knell—a long-range, acute-angle penalty that took the score to 29–18.

Though Kenya would sneak in a consolation score, the deed had been done. The Sables held firm, the final whistle was blown, and the cacophony of Kenyan vuvuzelas fell to a hush.

Instead, it was the Ugandan and Zimbabwean voices that rent the air, bursting into celebratory chorus as the Sables formed a victorious huddle under the Kampala sun.

The man of the match was none other than Tinotenda Mavesera, whose relentless graft and physical dominance set the tone for Zimbabwe’s forwards.

“Ndezva Mwari—it’s all about God,” Mavesera said, his brow still glistening with effort as he waded through a second scrum, this one of reporters clamouring for a word.

“Thank God the boys came through, this was for our nation and the people back home. This means everything to us and it is a privilege for each of us to do this thing we all love. I’m happy we stuck to our plan and believed in it.”

Zimbabwe now march on to face Namibia in what promises to be a clash of giants, with a ticket to the 2027 Rugby World Cup hanging in the balance.

But for now, they will savour a performance that was both beautiful and brutal—an ode to courage, discipline, and the undying spirit of the green-and-white hoops.

Nasty C’s Ivyson Tour Officially Launches Across Africa

After shows in Johannesburg and Cape Town, Nasty C has officially launched the 7th edition of the Ivyson Tour, its first pan-African iteration – with the plan to bring the tour to cities across the continent.

 

Starting Friday, July 11, fans can head to TOORLY, the world’s first fan-driven global live events platform, to request the Ivyson Tour to their city.

But fan input doesn’t end there – Nasty C is also letting his fans shape the show by suggesting special guest performers and local support acts, and requesting Ivyson Gaming to be part of their city’s tour experience.

“I get booked at shows across Africa all the time, but now it’s time to bring the full Ivyson experience to the continent. The Ivyson Tour is my baby, that’s where I bring out all my toys”, Nasty C shared.

Fans that already requested during the Qualifier round that went live earlier this year can update their Request to suggest artists and gaming.

Named in tribute to his late mother Ivy—hence the name “Ivy’s Son”—the Ivyson Tour is Nasty C’s platform for an intimate connection with his fans.

Different from regular bookings, he performs songs on the tour that “are not necessarily singles, songs that I hold close to my chest, and that the fans really love and relate to,” Nasty C explained.

The fan-driven concept is part of a bold new direction for the Ivyson Tour in 2025, and the artist’s team and TOORLY worked together closely for many months to bring Nasty C’s vision to life.

For the first time ever, fans have the opportunity to co-create the tour routing and give their input on where the tour should land.

Some unexpected potential tour stops have already emerged, Freetown in Sierra Leone being one of them – but also places way closer to home, such as Potchefstroom and East London that both rank in the Top 5 most requested cities.

The Qualifier Round 1 process began in March, when fans were first invited to request Nasty C to their city on TOORLY, sparking fierce competition across over 40 cities.

Harare, which hit over 200 requests in Round 1, made it into Round 2, bringing the Ivyson Tour one step closer to making a stop in Zimbabwe.

Other cities officially included in Round 2 are Abuja, Bloemfontein, Durban, East London, Freetown, Gaborone, Lusaka, Mbabane, Potchefstroom, Pretoria, the Vaal and Windhoek. Any African city, including Bulawayo, can still qualify for the tour if fans really put their weight behind it.

Zimbabwean Ivysons can Request the Ivyson Tour to Harare or Bulawayo on TOORLY and get one step closer to turning the dream into reality.

Marist Brothers crowned 2025 Old Mutual Schools Quiz Champions

Marist Brothers High School from Nyanga, Manicaland, have been crowned the 2025 Old Mutual Schools Quiz national champions.

 

The victory marks an incredible fourth title for the school. Marist Nyanga’s championship comes as the quiz competition marks its 42nd anniversary.

The Old Mutual Schools Quiz is run in collaboration with the Books of African Records.

The highly successful partnership between the two infuses the quiz with a blend of financial literacy, Pan-Africanism, curriculum-based training, and general knowledge.

The first runners-up in the 2025 Old Mutual High Schools Quiz were St Anthony’s from Masvingo, followed by Pamushana from the same province, and Fletcher from Midlands.

The guest of honour, the Honourable Minister of Skills Audit and Development, Professor Paul Mavima, handed out the prizes and congratulated the winners together with Old Mutual Zimbabwe Chief Executive Officer, Mr Sam Matsekete.

Also present was the Chief Executive Officer of the Institute of African Knowledge (INSTAK), Ambassador Kwame Muzawazi.

INSTAK are the publishers of the Book of African Records, who partner Old Mutual in the Schools Quiz.

Old Mutual Zimbabwe invested a total of US$16,000 for the winners. Marist Brothers took home five (5) laptops and US$7,000.

St Anthony’s won five (5) laptops and US$5,000; Pamushana got three (3) laptops and US$3,000; while Fletcher was awarded a laptop and US$1,000.

This year, Old Mutual decided to prioritise cash prizes rather than offering awards such as solar systems, emphasising that it should be up to the schools to decide what their own priorities were.

Simba Bhora Go Top After Thrilling Comeback Win Over Herentals

Defending champions Simba Bhora climbed to the summit of the Castle Lager Premier Soccer League with a dramatic 3-2 comeback victory over Herentals at Rufaro Stadium on Saturday.

 

A brace from the in-form Isakar Guribab and a composed finish by Never Tigere saw Joel Luphahla’s side recover from a goal down to claim all three points in a Matchday 20 encounter that kept fans on the edge of their seats.

The win lifted Simba Bhora level on 40 points with MWOS, but the champions now top the table courtesy of a superior goal difference.

Their position was helped by MWOS suffering only their second defeat of the season, falling 1-0 to Yadah at Heart Stadium.

The so-called “Miracle Boys” lived up to their name, with Josiah scoring directly from a corner in the 55th minute, a rare goal that stunned the visitors.

Despite the upset, Yadah remain deep in relegation danger, sitting 15th on the log with 20 points.

The result, however, offers a glimmer of hope as they battle to avoid the drop.

Meanwhile, at Bata Stadium, TelOne boosted their top four hopes with a 1-0 win over Dynamos.

Washington Navaya netted his 11th goal of the campaign to secure the win, pushing TelOne into third place with 33 points, just seven off the top.

For Dynamos, the loss deepens their crisis. The Harare giants on 17th, are staring down the barrel of relegation in what is fast becoming a nightmare season.

 

Saturday Results:

TelOne 1-0 Dynamos

Yadah 1-0 MWOS

Ngezi Platinum 1-2 Scottland

Herentals 2-3 Simba Bhora

FC Platinum 1-0 Chicken Inn

ZPC Kariba 0-0 Manica Diamonds

Bikita Minerals 1-0 Kwekwe United

Joe Thomas Show Details Are Out — Here’s Where, When, and How Much!

R&B lovers, it’s time to mark those calendars, the full details for Joe Thomas’ highly anticipated Harare concert have dropped!

 

The one-night-only show is locked in for August 12, 2025, and it’s going down at the Old Hararians Sports Club, with gates opening at 4:00 PM.

After weeks of fan speculation and excitement online, the wait is finally over. And if you’re ready to lock in your spot, here’s the deal: General Access: $50 (Early Bird), $60 (after August 3)

And for those requiring a royal treatment, the VIP Access is $150, rising to $180 after August 3.

We came across this information on Liz Dziva’s Facebook page. Liz is a public relations specialist based in Harare.

This will be Joe’s first performance in Zimbabwe since 2008, and with the buzz building fast, this concert is shaping up to be one of the hottest events of the year.

From slow jams to sing-alongs, we are looking forward to a night of full-blown nostalgia and grown-and-sexy vibes.

US Embassy Now Requires Visa Applicants to Make Social Media Accounts Public

The United States Embassy in Harare has announced a new requirement for individuals applying for F, M, or J nonimmigrant visas.

 

Effective immediately, applicants are being asked to adjust the privacy settings on all personal social media accounts to “public” as part of the visa vetting process.

In a statement shared by the embassy, officials emphasised that “every visa adjudication is a national security decision.”

The move is aimed at helping consular officers verify an applicant’s identity and determine admissibility into the United States.

F, M, and J visas are typically issued to students, vocational trainees, and exchange program participants, respectively.

The embassy’s directive means applicants must ensure their online profiles are accessible to the public prior to their visa interviews.

The embassy did not indicate how long the requirement will remain in effect or whether failure to comply will result in automatic visa denial.

However, the instruction underscores the growing role of digital footprints in immigration and security screening procedures.

Zimbabwean Play ‘Song Unburied’ Heads to Edinburgh Festival After Harare Encore

Fresh off rave local reviews, the critically acclaimed Zimbabwean stage production Song Unburied is set to dazzle international audiences at the prestigious Edinburgh Festival this August.

 

Before it jets off to the global stage, the play will enjoy a short encore run at Theatre in the Park in Harare on 18th and 19th July 2025, with performances starting at 5:30 PM each evening.

Described as “ritualistic and thought-provoking” by The Herald’s Trust Khosa, and praised for its immersive set design and powerhouse performances, Song Unburied is the latest creation of celebrated novelist and journalist Panashe Chigumadzi, produced and directed by veteran theatre impresario Daves Guzha of Rooftop Promotions.

The play stars an award-winning cast led by Charmaine Mujeri and Dalma Chiwevera, supported by Tinevimbo Chimbetete, and is beautifully underscored by haunting music from composer Abel Mafuleni.

“Charmaine Mujeri and Dalma Chiwevera perform with incredible dexterity, the pillars of a tale that provides its spin on a fascinating sub-genre,” wrote 3-MOB editor Larry Kwirirayi.

“Great play. Relevant and topical, well-directed, produced and acted — and beautifully written,” added theatre critic John Stewart.

At the heart of Song Unburied is the story of Rambisayi Mangosho, the British Museum’s first Black curator of Zimbabwean descent.

Haunted by dreams and unable to return home to bury her grandmother, Rambi is drawn into the spiritual and historical mysteries surrounding the unreturned remains of Mbuya Nehanda, Zimbabwe’s legendary anti-colonial heroine.

Guided by Tsitsi, a war veteran-turned-museum caretaker, Rambi begins a ritual journey of remembrance, resistance, and reparation.

Together, they uncover a spiritual connection and a shared totem — both are vaChihera. But as they discover Nehanda’s bones in the museum basement, they must confront the truth: the bones cannot simply be sent home — not without ritual, not without consequence.

Chigumadzi’s storytelling interweaves myth, memory, and modern politics in a play that’s equal parts poetic and political.

Panashe Chigumadzi, born in Zimbabwe and raised in South Africa, is no stranger to storytelling that challenges colonial narratives and reclaims Black identity.

She’s the award-winning author of Sweet Medicine and the critically acclaimed essay collection These Bones Will Rise Again.

She has written for The Guardian, The New York Times, The Washington Post, Die Zeit, and Chimurenga, and was the founding editor of VANGUARD, a magazine platforming young Black South African women navigating Pan-Africanism, queerness, and Black consciousness.

As Song Unburied prepares to grace one of the world’s largest arts festivals, it carries with it the echoes of ancestral voices, the pain of colonial theft, and the enduring power of spiritual and cultural reclamation.

Zimbabwe name squad for T20I tri-series with SA, New Zealand

Zimbabwe Cricket has announced a 16-man squad for the upcoming T20I triangular series involving South Africa and New Zealand, with all-rounder Sikandar Raza set to lead the side on home soil.

 

The tournament is scheduled to run from 14 to 26 July 2025 at Harare Sports Club, with each team facing the others twice at the round-robin stage before the top two sides meet in the final.

Zimbabwe’s squad features a blend of experience and promising talent, including the return of key players from injury.

Left-arm pacer Richard Ngarava, who had been sidelined with a lower-back injury, is back to bolster the bowling attack alongside fellow seamer Blessing Muzarabani.

Young all-rounder Brian Bennett, who missed part of the recent Test series against South Africa in Bulawayo due to a concussion, has also been cleared and is available for action.

The squad also retains Ryan Burl, Tony Munyonga and Tashinga Musekiwa, all of whom impressed during Zimbabwe’s last T20I assignment against Ireland in February.

Adding depth to the group are three uncapped players in the shortest format: wicketkeeper-batter Tafadzwa Tsiga, left-arm paceman Newman Nyamhuri and leg-spinner Vincent Masekesa.

Zimbabwe will open their campaign on 14 July against South Africa, before facing New Zealand on 18 July.

They are also set to play South Africa again on 20 July and wrap up their round-robin fixtures against New Zealand on 24 July.

The final, featuring the top two teams on the table, will be played on 26 July.

 

ZIMBABWE SQUAD FOR T20I TRI-SERIES: 

Sikandar Raza (Captain), Brian Bennett, Ryan Burl, Trevor Gwandu, Clive Madande, Wessly Madhevere, Tinotenda Maposa, Wellington Masakadza, Vincent Masekesa, Tony Munyonga, Tashinga Musekiwa, Blessing Muzarabani, Dion Myers, Richard Ngarava, Newman Nyamhuri, Tafadzwa Tsiga

 

T20I TRI-SERIES MATCH SCHEDULE – JULY 2025:

DAYMATCHVENUESTART
14 JulyZimbabwe vs South AfricaHarare Sports Club1300
16 JulySouth Africa vs New ZealandHarare Sports Club1300
18 JulyZimbabwe vs New ZealandHarare Sports Club1300
20 JulyZimbabwe vs South AfricaHarare Sports Club1300
22 JulyNew Zealand vs South AfricaHarare Sports Club1300
24 JulyZimbabwe vs New ZealandHarare Sports Club1300
26 JulyFINAL – Number 1 vs Number 2Harare Sports Club1300

 

Caster Semenya did not get a fair hearing, human rights court rules

Caster Semenya’s right to a fair hearing was violated by the Swiss Federal Supreme Court when she lost a 2020 appeal against World Athletics regulations that effectively barred her from competing, Europe’s top court has ruled.

 

The double 800m Olympic champion won a partial victory at the European Court of Human Rights (ECHR) in her long legal battle over athletics’ sex eligibility rules.

Semenya, 34, was born with differences of sexual development (DSD) and has been unable to compete in the 800m since World Athletics brought in rules in 2019 restricting testosterone levels for track events from 400m up to the mile.

The South African middle distance runner believes World Athletics has shown discrimination against athletes with DSD by insisting they reduce testosterone levels in order to be eligible.

Speaking to BBC Sport after the verdict, Semenya said: “This is bigger than we ever thought. I don’t think this is about competition. It’s about human rights. It’s about the protection of the athletes.

“My role is to become a voice for those who cannot speak out.”

Athletics’ governing body insists the rules, which in 2023 were expanded to cover all female track and field events, are needed to ensure fair competition and to protect the female category.

Semenya was the Olympic champion over 800m in 2012 and 2016.

In 2019, she unsuccessfully challenged World Athletics’ rules at the Switzerland-based Court of Arbitration for Sport (Cas).

In July 2023 the ECHR ruled in favour of Semenya in a case related to testosterone levels in female athletes.

The case at the ECHR was not against sporting bodies or DSD rules, but specifically against Switzerland’s government for not protecting Semenya’s rights and dates back to a Swiss Supreme Court ruling from 2020.

Switzerland’s government requested the matter be referred to the ECHR’s Grand Chamber, which has now found that the Swiss ruling “had not satisfied the requirement of particular rigour” under Article 6 (right to a fair hearing) of the European Convention on Human Rights.

The judges said the Swiss court’s review “had fallen short” of that requirement.

However, the Grand Chamber found Semenya’s complaints under Articles 8 (right to respect for private life), 13 (right to an effective remedy) and 14 (prohibition of discrimination) inadmissible as they “did not fall within Switzerland’s jurisdiction”.

As the case concerns the Swiss government and not World Athletics, it will not immediately affect the current restrictions on DSD athletes.

Semenya said the outcome was “overwhelming”, adding: “For someone who has been waiting for over 15 years, to be able to hear that, I mean, you know, you feel heard, it’s a beautiful feeling.

“The past is the past. I mean, we focus on the future. I’ll say at the moment, I’ll say reborn. And, feel fulfilled.”

Decisions made by the ECHR’s Grand Chamber are not open to appeal. Semenya’s case could now go back to the Swiss federal court in Lausanne.