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Tatenda Mahachi & Purple Pride Family Craft a Military-Inspired Rallying Cry for Believers

Tatenda Mahachi and Purple Pride Family – Vocal Fusion have teamed up to release ‘Ndine Simba’ a rallying cry for believers.

 

In the uplifting anthem, ‘Ndine Simba’ the two channel the essence of divine empowerment, reminding believers of the unshakeable strength bestowed upon them by God.

Produced by the country’s current trending music producer ‘Tadexx Made it’ the beat and soaring vocals in the song paint a vivid picture of resilience in the face of adversity, urging individuals to confront their fears with unwavering faith.

“We wanted to create something that echoes the message that no challenge is insurmountable when fortified by Jesus Christ,” explained Tatenda Mahachi.

“Ndine Simba serves as a rallying cry for anyone grappling with life’s trials, we hope that this powerful track not only inspires but also reaffirms the belief that, armed with faith, every battle can be fought and won.”

The song which is out on Wednesday is accompanied by a video with a military storyline.

The music video for “Ndine Simba” unfolds like a portrayal of an army training camp, where a resolute commander orchestrates strategic plans with his troops to confront the enemy.

“This imagery serves as a powerful metaphor for the Christian journey, depicting Jesus Christ as the ultimate commander guiding believers through life’s challenges,” said Mahachi.

The video shows scenes of intense training among soldiers, symbolising the preparation that prayer and faith offer in the face of trials.

In the music video, the troops undergo rigorous drills, reminding viewers that spiritual fortitude is cultivated through discipline and devotion.

Watch Ndine Simba below:

SA Home Affairs to cancel IDs & Travel documents of Chidimma Adetshina & her mother

The Home Affairs Department says it will cancel the identity and travel documents of former Miss South Africa contestant, Chidimma Adetshina, and her Mozambican-born mother.

 

They are also facing probable fraud charges.

On Tuesday, the department informed Parliament’s portfolio committee that its completed investigation was handed to the Hawks.

Adetshina’s case reached Parliament in August when the public questioned her heritage and nationality after she became a finalist in the Miss SA pageant.

Home Affairs Director General Tommy Makhode said the Adetshinas did not respond to Monday’s deadline to make representations as to why they should keep their South African national documents.

Makhode said officials visited a house registered to Adetshina to track down her mother.

The department believes she’s still in South Africa.

But it can’t explain how she may have travelled to Nigeria last month to support her daughter at Miss Universe Nigeria pageant which she won.

Home Affairs DG Tommy Makhode says the Adetshinas did not respond to Monday’s deadline to make representations as to why they should keep their South African national documents.

The department says photographs taken at the event and posted on social media appear to confirm Adetshina’s mother left South Africa during the investigation. Nothing has been said of her Nigerian-born father.

“We couldn’t find a trace of the passport that she has been using to come to South Africa from Mozambique on the movement to Nigeria,” said the acting Deputy Director-General for immigration, Albert Matsaung.

Meanwhile, Monday’s social media posts show Adetshina was en route to Mexico from the US where she’s been participating in the Miss Universe pageant.

DJ Slice Returns to Zimbabwe: Launching a 5-Star Motel & Reviving Local Music Opportunities

Canada based and one of the pioneers in African music broadcasting DJ Slice has been back home for a month now and he’s been busy setting up projects, exploring collaborations, and even launching new business endeavours.

 

DJ Slice’s recent visit was full of exciting announcements and future plans that signal his commitment to Zimbabwe’s music and entertainment industries.

The main reason for his return? Launching his 5-star motel in Kadoma. This venture isn’t just about hospitality; it’s a project designed to bridge the worlds of entertainment and business.

“It’s all about interlinking the two projects,” Slice explained, referring to his work both as a DJ and business entrepreneur.

“Already a household name in Canada, Slice is now expanding his brand and making strides toward becoming a key player in Zimbabwean entertainment.”

Beyond his new motel, DJ Slice has an even bigger vision in store for Zimbabwe’s music industry.

He’s actively working with fellow musicians to introduce an app that, for the first time, will allow Zimbabwean artists to monetize their fame directly. This innovation could transform the local music scene by creating new revenue streams and giving artists control over their earnings.

Slice has also been vocal about his dream to revive the legendary Slice International, the music group he helped popularize years ago.

While it’s still a work in progress, he’s hopeful and excited, saying, “It’s a chemistry process where it’s gotta come from the bottom and deep willingness from all Slice living UG legends.”

In addition to business and music projects, DJ Slice continues to host his radio show, Africa Radio Show, on Alberta’s 88.5 FM in Canada.

As the founder and presenter, he takes pride in bringing African music to a broader audience, using the platform to elevate artists and connect with fans worldwide. The show serves as a bridge, connecting African culture with international listeners and giving

When asked about rumors that he’s scouting artists to take to Canada, he confirmed, “100% correct. I believe in giving back to my country, and I am a fan of the new sound, be it Dancehall or Hip Hop.”

DJ Slice’s dedication to pushing fresh Zimbabwean talent to new heights could provide a significant boost to the local music industry, opening doors for artists to share their work beyond Zimbabwean borders.

While discussing his support for emerging artists, DJ Slice offered some invaluable advice: “I just want to urge my youngsters not to grow big-headed before they make it anywhere. Stay away from drugs—that’s your deepest downfall. If your talent is real, then it doesn’t need any enhancement.”

He emphasized the need for professionalism, urging young artists to surround themselves with proper management rather than mere groupies. “Sharp iron sharpens another iron,” he said.

“If you surround yourself with groupies and expect to reach the next level, then you need to reconsider your circles.”

He also called on established artists to step up, offering genuine support to up-and-comers. “Established artists need to support the new talent, guide, and collaborate with them at no cost.

Never charge your fellow struggling brother and later on go public saying you support new talent.”

In a powerful statement, he challenged big names like Cheso, Jah Prayzah, Winky, Killer T, and Freeman to join forces and approach the Ministry to create a more functional music industry.

“United, they can stand,” he said. “Based on their legendary statuses, they have a role to play in conducting workshops and paving the way forward.”

With his ventures and continued passion for Zimbabwean music, DJ Slice is not just making a comeback—he’s setting a new standard for local entertainment and business.

This multifaceted artist and entrepreneur is proof that you can build a career that spans continents, blending music, business, and a deep commitment to home.

Netone 263 Culture Fest Delivers Unmatched Performances Amidst the Rain

The second edition of the Netone 263 Culture Festival lived up to expectations as thousands of revellers thronged Belgravia Sports Club despite the gloomy and wet weather.

 

The festival kicked off in the afternoon with South African female DJ Jocy Thuli P setting the tone as the crowd began to build. Local DJs such as Chucknosis and Fujee kept the energy high, keeping the audience on the edge of their seats.

Several food stalls were available, offering a variety of cuisines.

Mthunzi took things up a notch when he arrived on stage, opening with his hit song “Imithandazo.” Despite the heavy rain pouring during his performance, it did not dampen the crowd’s mood; they remained in place, refusing to seek shelter.

Tammy Moyo, now proving to be a seasoned performer, kept the energy levels high with her dynamic performances and dancers, continually spicing things up with her choreography.

The MC for the night, Nomuzi Mabhena, aka Moozile, also stole the limelight with several elegant and classy outfit changes. Her MC skills were impeccable, creating a real connection with the crowd.

One of the headline acts, Kelvin Momo, sent the audience into a frenzy with his set of deep amapiano, often dubbed “private school piano.”

Uncle Waffles’ performance was the icing on the cake as she belted out all her hits. Songs like “Tanzania” and “Waffles” brought the roof down when she left the decks to take to the dance floor, busting out some well-choreographed moves.

Curran hogs the limelight with century as Logan Cup gets underway

Tuskers – 203 all out in 45.2 overs (Tanu Makoni 82, Luke Jongwe 38, Tafara Mupariwa 38; Mike Chinouya 3/32, Brandon Mavuta 3/54, Antum Naqvi 2/24)

Rhinos – 183-3 in 42 overs (Ben Curran 107*, Takudzwanashe Kaitano 52, Antum Naqvi 9; Ainsley Ndlovu 2/43, Sean Williams 1/53)

Day 1 – Stumps:  Rhinos trail by 20 runs

Ben Curran hit a fine century that put Rhinos in a strong position at the end of the first day’s play of their Logan Cup match against Tuskers at Kwekwe Sports Club on Sunday.

They reached a score of 183 for three wickets after bowling out the Bulawayo-based team for 203.

Rhinos won the toss and put Tuskers in to bat and they must have finished the day happy with the way this was turning out, but they had some doubts early on.

Mike Chinouya dismissed Nkosana Mpofu for five in the third over, but then Tanu Makoni and the captain, Tafara Mupariwa, made a brilliant partnership of 98 for the second wicket in less than 20 overs.

Makoni played a remarkable free and fine innings, racing to his fifty off only 38 balls.

With the score at 110, though, Brandon Mavuta broke the stand by having Mupariwa caught for 38, and this began a fatal slide of the Tuskers batting.

Makoni was sixth man out at 143, having scored a sparkling 82 off 110 balls, and the only one of the later batters to prosper was Luke Jongwe with an aggressive 38 off 31 balls.

Only the last pair took the score past 200 as Tuskers were dismissed for 203 – Sean Williams was out second ball for a single.

Chinouya and Mavuta took three wickets each, and there were two apiece for Brad Evans and Antum Naqvi.

Curran and Takudzwanashe Kaitano then gave Rhinos a fine start with an opening partnership of 118 in 28 overs before Kaitano was caught off the bowling of Williams for 52.

Ainsley Ndlovu then took two quick wickets to dismiss Solomon Mire for eight and Naqvi for nine – 167 for three.

Curran reached his century just before the close, finishing unbeaten on 107, with Evans his partner yet to score.

          _____________________________________________________

Southern Rocks – 354-5 in 84.2 overs (Roy Kaia 64, Matthew Campbell 63, Saifuddin Zaib 60*; Wallace Mubayiwa 2/55, Munashe Chipara 1/40, Faraz Akram 1/50)

Eagles –

Day 1 – Stumps

Roy Kaia’s 64 was the highest of the five fifties recorded by Southern Rocks in their total of 354 for five wickets compiled on the first day of their Logan Cup match against Eagles, which got underway at Takashinga Cricket Club on Sunday.

Tafadzwa Tsiga and Matthew Campbell gave Rocks a fine start to reward their decision to bat on winning the toss.

They made 89 for the first wicket before Tsiga was out for 50 off 89 balls.

Campbell soon followed for 63, but Kaia then took up the baton with his fine innings, which also took 89 balls and contained a six and 10 fours.

He added 67 for the third wicket with Johnathan Campbell, who was the most aggressive batter of the day with 37 off 34 balls.

The 200 was passed with only three men out, but when Richmond Mutumbami (15) and Kaia were dismissed in quick succession, five wickets were down for 238.

The innings was at a crossroads, but the right men were in next as Alvin Chiradza joined the Northamptonshire all-rounder Saifuddin Zaib at the wicket.

By the close both batters had joined the fifty-makers, Zaib with 60 and Chiradza 56, both not out and with a partnership now worth 116 runs.

The bowlers had a hard toil, none of them earning much success, while the English professional Alex Russell, who had such a successful season in 2023/24, taking the wicket of Kaia but otherwise suffering for 111 runs off only 16 overs.

Chibuku Road to Fame Provincial Finals Conclude, National Finals Set for November

The Chibuku Road to Fame provincial finals concluded this past Saturday, with Mashonaland West and Masvingo announcing their champions.

 

The competition, which began on September 28, is a collaboration with the National Arts Council of Zimbabwe (NACZ), reinforcing a commitment to supporting the arts and fostering creativity across the nation.

In Mashonaland West, the Afrofusion group Boom Jazz claimed first place, followed by the jazz outfit Heart Attack in second. The Real Vibe band, known for its traditional jazz, secured third place. All podium finishers hail from Makombe.

In Masvingo Province, the Afrofusion group Panhimbe Crew earned the opportunity to represent the province in the finals. Street Wise from Mashava took second place, while the Sungura group Mega Power Express from Gutu finished in third.

Street Wise from Mashava took second place in Masvingo

The Chibuku Road to Fame national finals are scheduled to take place on November 9, 2024, in Harare.

This year’s theme is “Bvirarira, Tshay’iNgoma,”  and since its inception, Chibuku Road to Fame has played a pivotal role in nurturing aspiring musicians and providing them with a platform to shine.

Here are the provincial representatives set to compete in the national finals:

Vibrant Bank – Manicaland

Panhimbe Crew – Masvingo

Kweseka – Matabeleland North

Fugees band – Matabeleland South

Shanty Town – Mashonaland Central

Boom Jazz – Mashonaland West

Pilgrims of Christ – Mashonaland East

Music 2 Music – Bulawayo Province

The Cousins – Midlands Province

The Outlaws – Harare

Groundbreaking Zimbabwean Play ‘Family Riots’ Premieres in November

Danai Gurira, Executive Artistic Director of Almasi Collaborative Arts, is presenting a production of ‘Family Riots’ by Gideon Jeph Wabvuta.

 

The unique and groundbreaking production will premiere between November 15 and 24, 2024, at the National Gallery of Zimbabwe, at a ticket price of $10 per audience member.

Directed by US Visiting Artist Lucie Tiberghien and Zimbabwean Director Makomborero Theresa Muchemwa, the production will feature the talents of Zimbabwean actors.

Gideon Jeph Wabvuta, is a talented alumnus of Almasi’s programs, who through Almasi’s Walter Mparutsa Fellowship matriculated with a Master’s Degree in Dramatic Writing at University of Southern California.

His acclaimed play, “Family Riots”, earned a distinguished mention for the Rosa Parks and Kennedy Centre in 2019 and was showcased at the New Works Two Festival at USC in Southern California.

Family Riots is a play that explores the ambitions, aspirations and unresolved wounds of a young family in Mbare.

It follows the conflicts of family relationships in Zimbabwe during the late 1990s. The play delves into the lives of Sidney and Primrose, a couple whose once-idyllic life unravels due to financial strain and personal secrets.

It offers a provoking interrogation on the human condition in a rapidly changing society. The play taps into the nostalgia of everyday Zimbabwean life in that era, blending reflection with a deep sense of familiarity for those who lived through it.

“Family Riots” could be categorized as a new Zimbabwean August Wilson play entering us into a bold era of Zimbabwean storytelling.

Directing the production is the dynamic duo made up of decorated American theatre director Lucie Tiberghien and Zimbabwean Makomborero Theresa Muchemwa who has been a part of Almasi’s previous dramatic initiatives.

‘Family Riots’ attests to the uniqueness of the Almasi process in nurturing talent, fostering cross-cultural collaboration towards making compelling pieces of dramatic performance.

A team of production designers, technical experts, actors and directors, many of whom have been trained through Almasi initiatives, are collaborating in the creation of this piece.

The audience is guaranteed of a resonant experience, harkening a new era of placing Zimbabwean-born narratives on the global stage.

Tickets are available at magetsi.co.zw and at the National Gallery.

Everything to Know About Tyler Perry’s new series ‘Beauty in Black’

Tyler Perry’s Beauty in Black will serve up scandal and stars when Part 1 of the 16-episode drama hits Netflix today October 24th.

 

The upcoming show is part of Perry’s creative partnership with Netflix, in which he’ll write, direct, and produce films and series under a multi-year first-look deal, including Mea Culpa, which premiered in February.

“I was told many times over many years that Black entertainment doesn’t travel throughout the world,” the Hollywood heavyweight tells Tudum. “So, to have Netflix continue to disprove that over and over with everything I’ve put on the platform has been phenomenal.”

Perry’s previous films with Netflix include A Jazzman’s Blues, an epic about forbidden love that made its world premiere at the Toronto International Film Festival; A Madea Homecoming, the 12th installment of the billion-dollar Madea franchise,

Mea Culpa, starring Kelly Rowland, and the thriller A Fall from Grace. Will Areu, Angi Bones, and Tony Strickland also produce Beauty in Black for Tyler Perry Studios.

What is Beauty in Black about?

The new series follows two women on very different life trajectories on a collision course toward each other.

Taylor Polidore Williams (Divorce in the BlackSnowfall) plays Kimmie, who struggles to make ends meet after her mother kicks her out, while Mallory — played by Crystle Stewart (For Better or WorseAcrimony) — finds success running her own business. Eventually, they find themselves entangled in each other’s lives.

Set in Atlanta, the story brings together a wealthy Black family atop a hair care dynasty and an exotic dancer caught up in the seedy underbelly of a famed Magic City strip club.

“The hair care business here is huge [and] Magic City is huge, and I was like, ‘What happened if those worlds collided — the stripper world and this hair care business?’ ” says Perry, adding that the takeaway from Part 1 of the series is, “Never ever underestimate the power of the underdog.”

Although Perry found inspiration from “dual strip clubs around” Atlanta in the ’90s and is familiar with families of real-life hair care dynasties, the story itself is pure fiction and designed “to entertain.” He says, with this series, he “wanted to have some fun.”

USA Women pull one back to keep Series alive

Zimbabwe Women – 179 in 48.4 overs (Modester Mupachikwa 34, Chipo Mugeri-Tiripano 28, Audrey Mazvishaya 26*; Geetika Kodali 5/43, Saanvi Immadi 3/28, Isani Vaghela 1/16)

USA Women – 182-6 in 37.2 overs (Anika Kolan 43, Disha Dhingra 41, Gargi Bhogle 36; Josephine Nkomo 2/32, Olinder Chare 2/41, Audrey Mazvishaya 1/33)

USA Women won by four wickets

The United States of America Women defeated Zimbabwe Women by four wickets in the third one-day international at Harare Sports Club on Wednesday to keep their five-match series alive.

Put in to bat first, unlike in the first two fixtures which they comfortably won, the hosts were dismissed for 179 runs in 48.4 overs.

They had enjoyed a decent start though.

After Sharne Mayers was caught at the wicket for 14 in the seventh over, with 23 runs on the board, Modester Mupachikwa and Chipo Mugeri-Tiripano stabilised the innings with a second-wicket partnership worth 57 runs in 13.4 overs.

The stand was only broken when Mupachikwa holed out to midwicket to depart for 34, including five fours, off 59 balls.

Mugeri-Tiripano soon followed, bowled for 28, with five fours, off 46 deliveries to leave the score at 86 for three in 22.1 overs.

After that, the only other notable contributions with the bat came from Ashley Ndiraya with 20 and Audrey Mazvishaya with 26 not out as the Zimbabwe Women innings folded for 179 with eight balls left unbowled.

Geetika Kodali, with five wickets for 43 runs in 10 overs, was easily the USA Women’s best bowler, while Saanvi Immadi claimed three for 28 in nine overs.

In reply, Disha Dhingra and Gargi Bhogle put on an 87-run opening partnership in 15.5 overs, before Mazvishaya bowled Dhingra for 41, with eight fours, which she scored off 46 balls.

Exactly three overs later, at 101, Bhogle followed her to the pavilion after she was caught by Mazvishaya off the bowling of Nomvelo Sibanda having hit five boundaries on her way to 36 off 57 deliveries.

In the next over, with only four more runs added to the board, debutante Olinder Chare grabbed her first ODI wicket when she caught Ella Claridge, who failed to get off the mark, off her own bowling.

Anika Kolan and Sindhu Sriharsha then shared a 59-run stand for the fourth wicket in 13.1 overs, only broken when Kolan was given out lbw to Josephine Nkomo after scoring 43, with five fours, off 59 balls.

Next ball, Nkomo struck again as Aditiba Chudasama, out lbw, departed for a golden duck to leave the Americans at 164 for five, needing 16 runs off 17 overs to win.

They lost Isani Vaghela for one, caught at the wicket off the bowling of Chare, but Sriharsha, with 30 not out, eased them over the line, hitting two consecutive fours off the debutant bowler to take the USA Women to 182 for six in 37.2 overs.

Zimbabwe Women lead the series by two victories to one, with the next match scheduled for this Saturday at the same venue.

Oskido to be Honoured at the SAMAs for Transformative Impact on South African Music

The South African Music Awards (SAMAs) will bestow the prestigious RiSA Chairperson’s Award on Oscar “Oskido” Sibonginkosi Mdlongwa in acknowledgement of his extraordinary contributions as a music executive, producer, entrepreneur, and cultural pioneer.

 

His pioneering achievements will be recognised at next weekend’s #SAMA30.

For over three decades, Oskido has been a trailblazer, influencing and shaping the soundscape of South Africa’s most iconic music genres, including kwaito, house, gqom, and Amapiano.

A radio personality behind the growth of hip-hop in particular, he refuses to be left lagging behind and has joined throngs of entertainers as a TikToker.

His relentless creativity, innovation, and dedication have earned him a revered place in the hearts of music lovers and the industry at large.

“I am deeply humbled and honoured by this recognition. It’s a reflection of not just my work but the incredible support and collaboration I’ve had throughout my career. From Kalawa Jazmee to the artists, DJs, and industry professionals I’ve worked with, we’ve built something truly special together.

“This award is a reminder that our contributions can have a lasting impact, and I’m grateful to have played a part in shaping the future of South African music,” an elated Oskido shared.

Oskido’s journey from humble beginnings to becoming a cornerstone of South African music, as a co-founder of Kalawa Jazmee record label, is testament to his indomitable spirit.

He has seamlessly evolved with the industry, influencing not only the music we dance to but also the very fabric of the South African music business.

Whether pushing the boundaries of kwaito in the 90s or championing the rise of Amapiano today, Oskido has remained at the forefront of innovation, constantly inspiring a new generation of artists and producers.

In the mid-2000s, Oskido, alongside industry giants Greg Maloka, DJ Fresh, Vinny Da Vinci, and DJ Christos, co-founded Deejays Unite (DJU) – a collective aimed at shaping the future of South African music.

From this visionary collaboration, they launched the Southern African Music Conference (SAMC), a groundbreaking platform that would revolutionise the music industry by offering invaluable business insights to aspiring musicians and industry professionals.

Through SAMC’s expertly curated music business workshops, the conference became a vital stepping stone for many rising stars. It ignited the careers of now-iconic figures such as Black Coffee, DJ Tira, and Euphonik, who have since become global ambassadors of South African music.

Reflecting on the #SAMA30 RiSA Chairperson’s Award, Oskido shared: “There have been many highlights in my career, but I’d say the most defining moment was the founding of Kalawa Jazmee Records. It wasn’t just about creating a label it was about building a platform for South African talent to shine.

“Seeing artists grow and become household names, knowing that we were helping to shape the sound of South African music, especially through kwaito, was a moment of true realisation that we were making history.”

Nhlanhla Sibisi, RiSA CEO commended Oskido’s enduring influence: “Oskido’s contribution to the South African music industry cannot be overstated.

“His influence spans across multiple generations and his visionary leadership has not only given rise to some of the biggest names in our industry but has also ensured the sustainability of our creative economy. We are proud to honour him with the RiSA Chairperson’s Award.”

“As we celebrate Oskido’s legacy, we recognise not only his remarkable achievements but also the lasting impact he has made on the South African music industry. His story is one of resilience, creativity, and an unwavering commitment to elevating local talent, ensuring that South African music continues to thrive both at home and abroad.”