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Behind the Song: The Open Mic Series Launches a Powerful New Platform Celebrating Women in Music

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Behind the Song: The Open Mic Series Launches a Powerful New Platform Celebrating Women in Music

Behind the Song: The Open Mic Series officially launches as a bold and heartfelt new platform dedicated to celebrating, documenting, and amplifying the voices of women in music.

 

More than just a performance space, the series creates a living archive that captures the stories, inspirations, and journeys behind the songs that shape culture and community.

At its core, Behind the Song invites audiences to experience music in its most authentic form through storytelling, conversation, and live performance.

Each episode features female artists who take viewers beyond the stage and into the heart of their creative process, revealing the personal moments, social realities, and emotional truths that inspire their work.

The series is designed to bridge the gap between artist and audience, offering a rare and intimate look at what it truly means to create, perform, and exist as a woman in the music industry today.

Founded with the vision of honouring women’s contributions to music, Behind the Song aims to build a permanent cultural record, a documentary-style archive that preserves the voices, stories, and artistry of both emerging and established female musicians.

“Behind The Song exists to make women in music visible, heard, and remembered,” says Tshegofatso Seletedi. “This is about more than performance, it’s about legacy, ownership of our stories, and creating space for women to speak their truth through music.”

What Audiences Can Expect

Each episode blends:

  • Live, stripped-back musical performances
  • In-depth conversations with featured artists
  • Personal storytelling around songwriting, identity, and industry experiences
  • A behind-the-scenes look at the realities of building a career in music

The result is an emotionally rich, documentary-style experience that celebrates creativity, resilience, and cultural impact.

The debut episode of Behind the Song: The Open Mic Series will premiere on YouTube at 5:00 PM 08 February 2026, marking the beginning of a new digital home for powerful female storytelling in music.

Audiences are encouraged to subscribe, share, and engage as the series grows into a global platform spotlighting women’s voices from South Africa and beyond.

Behind The Song: The Open Mic Series is a creative production and cultural initiative that celebrates women in music by capturing the stories behind their songs.

The series blends performance, conversation, and documentary-style storytelling to create a lasting archive of female artistry, creativity, and impact.

Herc Cut The Lights Unveils Ssg’98: A Bold, Culture-Shaping Debut

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Herc Cut The Lights Unveils Ssg’98: A Bold, Culture-Shaping Debut

SSG’98 is a fearless sonic statement and the long-awaited debut project from acclaimed producer and artist Herc Cut The Lights.

 

Blending storytelling with boundary-pushing sound, the project positions Herc as a cultural architect, one capable of bringing worlds together through music.

The journey opens with GENISIS, a dramatic and immersive introduction narrated by comedian Primo, whose captivating performance welcomes listeners into the universe of SSG’98.

Primo’s presence is woven throughout the project, striking a rare balance between humour, narrative depth, and raw emotion, all set against hard-hitting beats and melodic moments.

Refusing to be boxed into a single sound, Herc Cut The Lights moves effortlessly between sonic worlds.

The project thrives on unpredictability, uniting unexpected collaborations and diverse energies.

From the infectious groove of Ke Wave featuring Focalistic and BrotherKhupha, to the sharp new-school edge brought by K1llbrady on tracks like Bradydanna, SSG’98 remains dynamic and constantly evolving.

Additional contributions from Babylowsk1, alongside heavyweight features from Priddy Ugly and Blxckie, further elevate the listening experience.

At its core, SSG’98 is a reflection of youth navigating life on the south side of Africa, embracing the highs and lows, the losses and the victories.

It captures the spirit of resilience, ambition, and self-expression, told through the lens of a producer deeply rooted in his environment yet globally minded in execution.

Ahead of the release, Herc Cut The Lights hosted an intimate listening session at Kickbox Streetwear, attended by industry greats and several of the project’s featured artists.

The event underscored not only the anticipation surrounding SSG’98 but also the strength of the relationships Herc has built across the music and creative industries; relationships that play a vital role in delivering such a cohesive and remarkable body of work.

The focus single from the project, DANCE4ME featuring Blxckie, stands as a powerful moment on the album, effortlessly blending emotion, groove, and mainstream appeal.

More than just a debut, SSG’98 is a statement. It cements Herc Cut The Lights as a producer of note and a visionary artist, capable of shaping culture and translating lived experiences into sound that resonates far beyond borders.

POSB collaborates with Mastercard to launch new outbound money transfer service

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POSB collaborates with Mastercard to launch new outbound money transfer service

The People’s Own Savings Bank (POSB) has announced a strategic collaboration with Mastercard to launch POSB Remit Outbound.

 

The service aims to provide a fast, secure and cost-effective way for customers in Zimbabwe to send money directly to bank accounts, mobile wallets and cash abroad.

Powered by Mastercard Move, a portfolio of global money movement capabilities, the service delivers a simple, transparent and fast way to send funds to 21 international destinations, including South Africa, the United Kingdom, the United States, Canada, India, Australia and countries within Europe’s SEPA region.

The launch of this service responds to a growing need for reliable outbound money transfer solutions, which play a vital role in supporting cross-border mobility, trade, and investment.

As Africa becomes more integrated into the global economy, outbound payments are increasingly important for individuals and businesses to manage education expenses, medical payments, family support, and commercial transactions abroad.

POSB Remit Outbound addresses this market gap by enabling outward remittances through a trusted, accessible channel.

The service is available at all POSB branches nationwide, with transfers starting from as little as USD 5.

Funds are credited directly into recipients’ bank accounts, mobile wallets or cashout agents, helping individuals and small businesses connect to the global economy safely and seamlessly.

Through this collaboration, POSB aims to make it easier for Zimbabweans to support loved ones, pay for education, or manage business commitments abroad, expanding digital financial inclusion in Zimbabwe and across Africa.

Garainashe Changunda, Chief Executive Officer of POSB, said: “POSB Remit Outbound underscores our strategic collaboration with Mastercard to advance financial connectivity for Zimbabweans.

By enabling seamless global transactions, we reaffirm our joint commitment to driving convenience, digital inclusion, and innovative payment solutions across borders.”

Gabriel Swanepoel, Country Manager, Mastercard Southern Africa, said: “At Mastercard, we are building the infrastructure that powers inclusive global money movement.

By combining Mastercard Move’s innovative money movement solutions and extensive reach with POSB’s trusted local presence, we are enabling Zimbabweans to move money securely and transparently, with the choice and speed they need to thrive in today’s connected economy.”

Mastercard Move spans 200 countries and territories, supporting transactions in over 150 currencies.

It connects to nearly 10 billion endpoints and provides access to more than 95% of the world’s banked population, giving users confidence, control and flexibility in how they move money across borders.

Zimbabwe Broadcasting Authority Reaffirms Stance Against Explicit Online Content

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Zimbabwe Broadcasting Authority Reaffirms Stance Against Explicit Online Content

The Broadcasting Authority of Zimbabwe (BAZ) has issued a stern warning to social media content creators, reiterating its constitutional mandate to protect children and national values from explicit online material.

 

The move follows a significant public outcry in Zimbabwe regarding content, including alleged nudity, posted on Facebook by a creator known as “Queen Nadia TV,” which has amassed millions of followers.

In a press statement dated February 3, 2026, BAZ Acting CEO Eng. Matthias Chakanyuka emphasized that all content consumed within Zimbabwe is subject to the country’s legal framework, regardless of the platform used for distribution.

The Authority noted with “serious concern” the dissemination of explicit digital content easily accessible to children.

 The statement references several key pieces of legislation, Section 61 of the Constitution guarantees freedom of expression, but stipulates that this must be enjoyed responsibly and with due regard to the rights of others.

It also referenced the Broadcasting Services Act [Chapter 12:06], which ensures children’s right to protection from exposure to content harmful to their moral and psychological development.

The Censorship and Entertainment Control Act [Chapter 10:04] prohibits the dissemination of content that is indecent, obscene, or offensive to public morals.

BAZ has vowed not to permit the misuse of digital platforms in a manner that violates these laws or the nation’s collective moral standards.

The Authority stated it will “take appropriate enforcement measures to ensure compliance” and safeguard the public interest.

The controversy surrounding Queen Nadia TV has sparked a wider national debate on cultural values, online monetization, and the effectiveness of platform content policies like Facebook’s in a local context.

Kold AF Signals New Creative Era With Reflective Single “lost!”

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Kold AF Signals New Creative Era With Reflective Single “lost!”

Kold AF is stepping into a new creative chapter, one she intends to be nothing short of era-defining. Signalling a bold evolution in both sound and storytelling, her latest single “lost!” introduces a more introspective and emotionally open side of the rising artist.

 

The release offers listeners a rare glimpse behind the curtain, revealing the internal struggles that have shaped her journey toward superstardom.

Globally recognised for her fierce delivery and unapologetic confidence, Kold AF deliberately shifts her focus inward on “lost!”.

The single captures a moment of vulnerability that contrasts sharply with her usual defiant persona, highlighting the emotional toll that ambition, growth, and visibility can carry.

“For the longest time, my mind has been feeling like my enemy, like the weapon fashioned against me,” 

Kold AF shares, speaking candidly about a period marked by self-doubt and mental exhaustion.

Sonically, “lost!” is understated yet intentional. Smooth percussion, restrained melodies, and a head-nodding rhythm form the foundation of the track, allowing space for reflection without sacrificing momentum.

The production mirrors the song’s emotional tension, balancing fragility with quiet strength. Rather than concealing her struggles behind high-energy bravado, Kold AF allows them to take centre stage, creating a listening experience that feels raw, personal, and deeply human.

At its core, “lost!” functions as both a confession and a message of reassurance. Kold AF describes the song as a letter to her younger self, as well as to fans who may be navigating similar feelings of uncertainty and displacement.

It speaks to the experience of losing one’s sense of direction while chasing dreams, and the courage it takes to rediscover identity in the midst of pressure and expectation.

In doing so, the track resonates beyond borders, connecting with a global audience through its emotional honesty.

More than a reflection of a difficult chapter, “lost!” stands as evidence of resilience and growth.

The single not only documents a period of struggle, but also the beginning of clarity and self-reclamation. It marks a pivotal moment in Kold AF’s artistic evolution, setting the tone for a new creative era rooted in authenticity, emotional depth, and intention.

With “lost!”, Kold AF proves that vulnerability is not a weakness, but a form of power.

The single positions her as an artist unafraid to be seen fully, embracing both strength and softness as she continues to carve out her place on the global stage.

Zimbabwe Launches World-Class FIFA-CIES Sports Management Programme

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Zimbabwe Launches World-Class FIFA-CIES Sports Management Programme

Zimbabwe has taken a decisive step towards the professionalisation of sport with the official launch of the MSU/ZIFA/FIFA/CIES International Programme in Sports Management, a globally recognised qualification now being delivered in the country for the first time.

 

The programme was officially launched in Harare, bringing together Government, academia, football leadership and international partners in a powerful show of collaboration and shared purpose.

The initiative is being delivered by Midlands State University in partnership with the Zimbabwe Football Association, FIFA and the International Centre for Sports Studies, positioning Zimbabwe within an elite global network of institutions shaping the future of sports administration.

Speaking at the launch, Deputy Minister of Sport, Recreation, Arts and Culture Emily Jesaya welcomed the programme as a milestone for national sports development, noting its alignment with Government’s vision of building strong, accountable and professionally run sporting institutions.

“This programme reflects the direction we want sport in Zimbabwe to take,” said Deputy Minister Jesaya. “It shows what is possible when Government, universities, sports associations and international partners work together. Sport is no longer sustained by passion alone.

“It must be managed with skill, integrity and professionalism, and this initiative directly addresses that need.”

The FIFA-CIES International Programme in Sports Management is a one-year diploma that equips current and aspiring sports administrators with knowledge across key areas such as governance, finance, marketing, communication, law and event management.

Delivered through a mix of face-to-face and online learning, the programme combines academic rigour with real-world case studies and exposure to international best practice.

For Zimbabwe Football Association, the launch represents a critical pillar of its ongoing institutional reform agenda. ZIFA President Nqobile Magwizi described the programme as an investment in people and systems rather than short-term solutions.

MSU Vice-Chancellor Victor Ngonidzashe Muzvidziwa said the programme reflects the university’s commitment to applied, impactful education that responds to national development needs.

“This programme is a landmark for our university and for Zimbabwe,” said Professor Muzvidziwa. “Sport is a growing social and economic sector, and it requires administrators who understand leadership, governance and innovation.

“Through this partnership with ZIFA, FIFA and CIES, we are positioning Midlands State University at the forefront of professional sports management education and contributing meaningfully to the development of sport in Zimbabwe and beyond.”

International partners also underlined the significance of Zimbabwe joining the FIFA-CIES global education family. CIES representative Vincent Monnier welcomed the launch as an important expansion of the programme’s footprint in Africa.

“The FIFA-CIES programme was created to help sports organisations meet the increasing complexity of modern sport,” said Monnier.

“We are proud to see Zimbabwe become part of this international network. This programme connects local administrators to global knowledge, global standards and a worldwide alumni community. It is not only about learning, but about building lasting professional networks that strengthen sport at national and regional level.”

The launch was also attended by senior officials from the Sports and Recreation Commission, representatives of various sporting codes, club administrators and prospective participants, underscoring the programme’s relevance beyond football.

Zimbabwe Tourism Authority Appoints Dr. George Manyaya as New Chief Executive

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Zimbabwe Tourism Authority Appoints Dr. George Manyaya as New Chief Executive

The Zimbabwe Tourism Authority has appointed Dr. George Munyaradzi Manyaya as its new chief executive officer, the board announced this week, signaling a leadership transition at a time when the country is seeking to strengthen its position in the regional and global tourism market.

 

Dr. Manyaya will assume the role on Feb. 1, 2026.

The board said Dr. Manyaya brings a blend of academic credentials and cross-sector leadership experience to the post.

He holds a doctorate in business management, a master’s degree in international relations, a master’s in strategic management and corporate governance, and a bachelor’s degree in business management.

He also has professional qualifications in mass communication, diplomacy and regulation.

His career has spanned several sectors considered critical to tourism development, including aviation, transport, telecommunications, energy, mining and banking.

He has also worked within the United Nations system, including with the International Organization for Migration, gaining exposure to international development and stakeholder coordination.

Most recently, Dr. Manyaya served as general manager responsible for marketing, communications and stakeholder relations at ZESA Holdings, Zimbabwe’s power utility.

In that role, he oversaw corporate communications and engagement strategies in a sector central to infrastructure and national development.

He also chairs the Zimbabwe National Road Administration (ZINARA), where he has led governance reforms, rebranding efforts and modernization initiatives, according to the ZTA board. Over the years, he has served on several public and private sector boards.

Dr. Manyaya is no stranger to the tourism industry. He was appointed a Tourism Brand Ambassador and served on the organizing committee of the 2013 United Nations World Tourism Organization General Assembly, which Zimbabwe co-hosted with Zambia.

The event was widely viewed as a milestone for the country’s tourism sector.

As chief executive, Dr. Manyaya will be tasked with positioning Zimbabwe as a competitive destination in a crowded global market.

His mandate includes driving tourism development, enforcing industry standards, strengthening tourism intelligence systems, coordinating public and private sector stakeholders and facilitating sustainable investment.

The appointment comes as Zimbabwe continues efforts to grow arrivals and attract investment amid broader economic reforms.

Tourism remains one of the country’s key foreign currency earners, anchored by attractions such as Victoria Falls, national parks and cultural heritage sites.

The board said it expects Dr. Manyaya’s strategic leadership and experience across infrastructure-linked sectors to help align tourism growth with national development priorities.

Thuli P officially steps into her music era with the release of her debut EP

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Thuli P officially steps into her music era with the release of her debut EP

Soweto-born actress, DJ and media personality Thuli P officially steps into her music era with the release of her debut EP, Avana, arriving January 23.

 

Known to many as Namhla Diale on Generations: The Legacy, Thuli P now turns the spotlight inward, claiming space in the male-dominated Private School Amapiano genre with intention, style and emotional depth.

Avana is a stylishly curated, five-track body of work that blends mid-tempo amapiano grooves with personal storytelling, cultural authenticity and a clear eye on digital virality.

The EP positions Thuli P not as a crossover act, but as a fully formed musical force, rooted in self-expression, community and sonic elegance.

Anchored by the lead single “Kube Kuya Ngam” (which translates to “If it were up to me”) – a powerful affirmation of hope, prosperity and peace.

Featuring Pronic DeMusiq and Tman Xpress, the anthemic track rides on bass-heavy production layered with gospel refrains, as the trio collectively manifest abundance and well-being for all.

Across the project, Thuli P collaborates with a dynamic lineup of artists who help shape the EP’s textured soundscape.

Features include Kay Invictus, Nia Pearl, and Leandra Vert on “Mali”), alongside Omit ST, Lioness Ratang, Umthakathi Kush on “Molo”, and Pcee on “No Need To Suffer”.

Each collaboration adds nuance while keeping Thuli P firmly at the centre of the narrative.

With Avana, Thuli P introduces herself and emerges as a tastemaker and storyteller, bringing softness, strength and spiritual undertones into amapiano’s evolving Private School lane.

It’s a debut that signals confidence, clarity and a readiness to take up space.

Net Run Rate Lifeline Sends Zimbabwe U19 Into Super 6

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Net Run Rate Lifeline Sends Zimbabwe U19 Into Super 6

Zimbabwe’s Under-19 World Cup journey lives on after the Young Chevrons squeezed into the Super 6 stage on net run rate, despite failing to win a single match in Group C.

 

The hosts finished third with one point and a net run rate of -2.916, edging out Scotland, who also had one point but a slightly poorer net run rate of -2.986.

Fine margins proved decisive, with those small decimal differences determining Zimbabwe’s fate and passage to the next round.

In their final group match against Pakistan at a packed Takashinga Cricket Ground, the visitors won the toss and elected to bowl first, looking to exploit the early morning moisture on the wicket that traditionally favours seamers.

Pakistan’s pace spearhead Ali Raza struck early, claiming three wickets and putting Zimbabwe under immediate pressure. The batting never fully settled, with only Nathaniel Hlabangana showing real resistance.

The right-hander produced a fighting 59 off 85 balls while wickets tumbled around him.

Zimbabwe were eventually bowled out for 129 in 35 overs.

Pakistan’s chase was not as explosive as expected for such a modest target. Zimbabwe’s bowlers stayed disciplined and the fielding remained sharp.

Although the hosts went on to lose by eight wickets, they managed to stretch Pakistan beyond the 25th over, a crucial effort that helped protect their net run rate and secure qualification.

It was not the ideal route, but Zimbabwe will take heart from their resilience as their World Cup campaign continues into the Super 6 were they will face a talented India side and New Zealand.

Explained: What Zimbabwe U19 Must Do Against Pakistan to Reach the Super 6

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Explained: What Zimbabwe U19 Must Do Against Pakistan to Reach the Super 6

Zimbabwe’s Under-19 side will face Pakistan in a crucial match at Takashinga Cricket Ground in Highfield, Harare, as their Super 6 hopes hang by a thread.

 

The hosts are currently winless at the bottom of Group C with just one point, followed by Scotland in third place, also with one point but a superior net run rate.

Pakistan sit second with one win and two points, while England have been ruthless, winning all three of their matches to top the group with six points. England has already secured a spot in the Super 6.

Two spots are still up for grabs, with the top three teams in Group C advancing. Zimbabwe’s qualification scenarios are as follows:

  1. A win will give them three points, finishing second.
  2. A draw will give them two points.
  3. A narrow loss could still see them through, thanks to a superior net run rate compared to Scotland, whose net run rate currently stands at -2.986.

Zimbabwe U19 captain Simbarashe Mudzengerere, who top scored in their last match against England with an unbeaten 45, will need another strong performance as he leads his troops against Pakistan.

The young Chevrons will need to be sharp with both bat and ball in this pivotal encounter.

The match starts at 9:30 CAT on Thursday, 22 January, and a full house is expected for what promises to be an intriguing clash.

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