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Pace trio fires Zimbabwe to winning start at T20 World Cup

The towering pace trio of Blessing Muzarabani, Richard Ngarava and Brad Evans ripped through Oman’s batting line-up to propel Zimbabwe to a commanding eight-wicket victory in their opening match of the ICC Men’s T20 World Cup 2026 at the Sinhalese Sports Club in Colombo on Monday.

 

After winning the toss and electing to bowl, Zimbabwe immediately capitalised on the lively surface, producing a ruthless new-ball spell that left Oman reeling and laid the foundation for a comfortable run chase.

The fast-bowling trio exploited the bounce and movement superbly, combining to claim nine of the 10 wickets to fall.

Muzarabani set the tone early, striking with the first ball of the second over when he bowled Jatinder Singh for five to leave Oman at seven for one.

The pressure intensified in the following over as Ngarava removed Hammad Mirza for a duck, caught behind by wicketkeeper Brendan Taylor.

Muzarabani then tore through the top order, dismissing Aamir Kaleem, who was caught at deep backward point for five, before accounting for Karan Sonavale two balls later, also for a duck, as Oman slumped to 17 for four inside four overs.

Zimbabwe’s bowlers maintained relentless discipline, conceding just 10 runs across the next three overs to tighten their stranglehold further.

Sikandar Raza joined the wickets column when he dismissed Wasim Ali for three, but Sufyan Mehmood and Vinayak Shukla briefly steadied the Oman innings with a 42-run sixth-wicket partnership.

Shukla provided the spark during the stand, striking four boundaries in a lively 28 off 21 balls before Ngarava ended the resistance by having him caught behind.

The left-arm seamer struck again in the same over, dismissing Jiten Ramanandi for one to reduce Oman to 71 for seven in the 15th over.

Evans then completed the demolition job, removing Mehmood for 25 in the 17th over before bowling Shakeel Ahmad in the final over as Oman’s innings unravelled further.

A late flourish from Nadeem Khan, who struck the only six of the innings during his 20 off 18 balls, helped Oman edge past the 100-run mark before he fell to a spectacular diving catch by Brian Bennett.

Oman were eventually bowled out for 103 in 19.5 overs, with the impressive trio of Muzarabani, Ngarava and Evans sharing the spoils with three wickets apiece, conceding just 16, 17 and 18 runs respectively.

In response, Zimbabwe made a brisk start as Tadiwanashe Marumani smashed four consecutive boundaries in the second over to inject early momentum into the chase.

Oman enjoyed a brief glimmer of hope when Mehmood struck twice in the fourth over, dismissing Marumani for a rapid 21 and removing Dion Myers for a duck to leave Zimbabwe at 30 for two.

However, any hopes of a comeback were quickly extinguished by a composed third-wicket partnership between Bennett and Taylor.

Bennett assumed the aggressor’s role while Taylor anchored the innings with characteristic composure, guiding Zimbabwe safely beyond the halfway mark of the chase without further setbacks.

Taylor later retired hurt on 31 after appearing uncomfortable while running, with Zimbabwe requiring just six more runs for victory.

Raza fittingly sealed the win with a boundary, while Bennett remained unbeaten on an accomplished 48 off 36 balls as Zimbabwe cruised to victory in 13.3 overs.

Mehmood’s two wickets proved the lone bright spot for Oman on an otherwise difficult afternoon, as Zimbabwe launched their T20 World Cup campaign with an emphatic statement of intent.

Almasi Collaborative Arts Opens 2026 Season With ‘A Raisin in the Sun’ in Harare

Almasi Collaborative Arts will launch its 2026 season with a free public staged reading of Lorraine Hansberry’s landmark play A Raisin in the Sun, bringing one of the most influential works in American theater to audiences in Harare.

 

The performance is scheduled for Saturday, Feb. 14 at 2:30 p.m. at the Friendship Bench Hub.

Directed by Leonard Matsa, the reading features a mix of longtime Almasi collaborators and emerging performers, including Daniel Nkumalo, Evita Mahachi, Deborah Kabongo, Charlene Mangweni-Furusa, Godblessus Dhliwayo, Chiedza Matabuka, Ronald Sigeca, Aaron Dobi, Clive Jonga and Michael Kudakwashe.

The event marks the return of Almasi’s signature staged reading program, which emphasizes close textual analysis and actor training as foundations of performance.

Ahead of the public presentation, the cast and director will take part in a two-day dramaturgical workshop led by Gideon Jeph Wabvuta, the organization’s programs director.

The intensive session brings together actors, directors and playwrights to dissect the script’s structure and themes before rehearsals begin.

Matsa described Hansberry’s 1959 play as “timeless and universally relevant,” noting that its exploration of class struggle and deferred dreams continues to resonate.

“In the midst of overwhelming adversities, including class struggles, hope is all we have and need,” he said. “It is the fuel that drives existence. And when all seems lost, our integrity is our last line of salvation.”

A Raisin in the Sun follows a Black family on Chicago’s South Side as they await an insurance payout that could change their lives. The play confronts housing discrimination, racism and generational conflict, and takes its title from Langston Hughes’ poem “Harlem.”

It was the first play by a Black woman to be staged on Broadway and was named best play of 1959 by the New York Drama Critics’ Circle.

For Almasi, the reading sets the tone for a year of ambitious programming focused on craft development and international collaboration.

Wabvuta said opening the season with Hansberry’s work reflects the organization’s commitment to artistic rigor.

“By establishing this strong foundational start to the year with one of the greatest plays ever written, we are setting a clear frame through which excellence, professionalism and authentic artistic expression will be nurtured,” he said.

The 2026 calendar will also include a stage management and directing workshop led by visiting American artist Adam Immerwahr; a voice and acting workshop with Scott Miller of New York University’s Tisch School of the Arts; a filmmaker intensive with a yet-to-be-announced guest; and Africa Voices Now!, a festival of new plays scheduled for October and November.

The year will conclude with the Almasi African Writers Conference, now expanded to include screenwriters.

Founded in Harare and co-led by actor and playwright Danai Gurira as executive artistic director, Almasi Collaborative Arts aims to promote dramatic literacy and expand opportunities for African creatives.

Through training programs and public performances, the organization seeks to connect local artists with global stages.

The staged reading of A Raisin in the Sun is free and open to the public.

Rainbow Tourism Group Rolls Out Nationwide Valentine’s Dinners Across Zimbabwe

Rainbow Tourism Group (RTG), one of Zimbabwe’s largest hospitality operators, has unveiled a series of Valentine’s Day dining experiences set to take place on February 14, 2026, across its hotels nationwide.

 

The events, designed as curated couples’ experiences, will feature candlelit settings, themed décor, live entertainment and multi-course menus tailored to different markets.

RTG said the dinners aim to combine ambiance and quality dining while remaining accessible to guests marking the occasion.

In Bulawayo, the Bulawayo Rainbow Hotel will host an elegant evening with panoramic city views, offering a three-course dinner, a complimentary welcome drink and live solo entertainment.

The experience includes themed games and a vintage dress code, priced at US$50 per couple for early bookings and US$60 thereafter.

Kadoma Hotel and Conference Centre’s Tigashire Restaurant will stage “A Night of Love, A Taste of Joy,” featuring a three-course dinner, couple-focused games and prizes.

The evening will conclude with an after-dinner dance at the Batanayi Conference Room. The package is priced at US$50 per couple.

In Harare, the New Ambassador Hotel will hold its celebration in the Rainbow Room, pairing a three-course dinner with live saxophone music, karaoke and relationship insights from Dr. Bruce Chitsungo.

Guests are encouraged to attend in black tie attire, with the experience priced at US$50 per couple.

At the Rainbow Towers Hotel & Conference Centre, two distinct events are planned. The Jacarandas venue will host “A Night of Love, Wisdom & Laughter,” an intergenerational dinner beginning at 6:30 p.m.

The three-course dinner is priced at US$100 per couple and will feature live entertainment by Tanga Wekwa Sando, themed cocktails, games and prizes.

Simultaneously, Kombahari Restaurant will present “Sizzle & Serenade,” a live grill dining experience accompanied by a violinist.

Meals will start from US$30 per person. Guests who share their experience on social media will stand a chance to win a complimentary night’s stay at the hotel.

RTG’s resort properties will also participate. Montclair Resort & Conference in Nyanga will offer a three-course dinner with a complimentary glass of champagne, resident DJ and couples’ games at US$60 per couple.

In Victoria Falls, A’Zambezi River Lodge will host a Valentine’s High Tea in the afternoon, priced at US$25 per couple, followed by a poolside three-course dinner in the evening at US$60 per couple.

Victoria Falls Rainbow Hotel will stage a romantic dinner at the Panorama Restaurant featuring classic music and dance competitions, priced at US$35 per person.

Bookings are available through RTG’s reservations offices, approved travel agents and its mobile application.

RTG, listed on the Zimbabwe Stock Exchange, operates hotels, tour operations and digital travel services across the country and maintains a regional marketing office in South Africa.

Behind the Song: The Open Mic Series Launches a Powerful New Platform Celebrating Women in Music

Behind the Song: The Open Mic Series officially launches as a bold and heartfelt new platform dedicated to celebrating, documenting, and amplifying the voices of women in music.

 

More than just a performance space, the series creates a living archive that captures the stories, inspirations, and journeys behind the songs that shape culture and community.

At its core, Behind the Song invites audiences to experience music in its most authentic form through storytelling, conversation, and live performance.

Each episode features female artists who take viewers beyond the stage and into the heart of their creative process, revealing the personal moments, social realities, and emotional truths that inspire their work.

The series is designed to bridge the gap between artist and audience, offering a rare and intimate look at what it truly means to create, perform, and exist as a woman in the music industry today.

Founded with the vision of honouring women’s contributions to music, Behind the Song aims to build a permanent cultural record, a documentary-style archive that preserves the voices, stories, and artistry of both emerging and established female musicians.

“Behind The Song exists to make women in music visible, heard, and remembered,” says Tshegofatso Seletedi. “This is about more than performance, it’s about legacy, ownership of our stories, and creating space for women to speak their truth through music.”

What Audiences Can Expect

Each episode blends:

  • Live, stripped-back musical performances
  • In-depth conversations with featured artists
  • Personal storytelling around songwriting, identity, and industry experiences
  • A behind-the-scenes look at the realities of building a career in music

The result is an emotionally rich, documentary-style experience that celebrates creativity, resilience, and cultural impact.

The debut episode of Behind the Song: The Open Mic Series will premiere on YouTube at 5:00 PM 08 February 2026, marking the beginning of a new digital home for powerful female storytelling in music.

Audiences are encouraged to subscribe, share, and engage as the series grows into a global platform spotlighting women’s voices from South Africa and beyond.

Behind The Song: The Open Mic Series is a creative production and cultural initiative that celebrates women in music by capturing the stories behind their songs.

The series blends performance, conversation, and documentary-style storytelling to create a lasting archive of female artistry, creativity, and impact.

Herc Cut The Lights Unveils Ssg’98: A Bold, Culture-Shaping Debut

SSG’98 is a fearless sonic statement and the long-awaited debut project from acclaimed producer and artist Herc Cut The Lights.

 

Blending storytelling with boundary-pushing sound, the project positions Herc as a cultural architect, one capable of bringing worlds together through music.

The journey opens with GENISIS, a dramatic and immersive introduction narrated by comedian Primo, whose captivating performance welcomes listeners into the universe of SSG’98.

Primo’s presence is woven throughout the project, striking a rare balance between humour, narrative depth, and raw emotion, all set against hard-hitting beats and melodic moments.

Refusing to be boxed into a single sound, Herc Cut The Lights moves effortlessly between sonic worlds.

The project thrives on unpredictability, uniting unexpected collaborations and diverse energies.

From the infectious groove of Ke Wave featuring Focalistic and BrotherKhupha, to the sharp new-school edge brought by K1llbrady on tracks like BradydannaSSG’98 remains dynamic and constantly evolving.

Additional contributions from Babylowsk1, alongside heavyweight features from Priddy Ugly and Blxckie, further elevate the listening experience.

At its core, SSG’98 is a reflection of youth navigating life on the south side of Africa, embracing the highs and lows, the losses and the victories.

It captures the spirit of resilience, ambition, and self-expression, told through the lens of a producer deeply rooted in his environment yet globally minded in execution.

Ahead of the release, Herc Cut The Lights hosted an intimate listening session at Kickbox Streetwear, attended by industry greats and several of the project’s featured artists.

The event underscored not only the anticipation surrounding SSG’98 but also the strength of the relationships Herc has built across the music and creative industries; relationships that play a vital role in delivering such a cohesive and remarkable body of work.

The focus single from the project, DANCE4ME featuring Blxckie, stands as a powerful moment on the album, effortlessly blending emotion, groove, and mainstream appeal.

More than just a debut, SSG’98 is a statement. It cements Herc Cut The Lights as a producer of note and a visionary artist, capable of shaping culture and translating lived experiences into sound that resonates far beyond borders.

POSB collaborates with Mastercard to launch new outbound money transfer service

The People’s Own Savings Bank (POSB) has announced a strategic collaboration with Mastercard to launch POSB Remit Outbound.

 

The service aims to provide a fast, secure and cost-effective way for customers in Zimbabwe to send money directly to bank accounts, mobile wallets and cash abroad.

Powered by Mastercard Move, a portfolio of global money movement capabilities, the service delivers a simple, transparent and fast way to send funds to 21 international destinations, including South Africa, the United Kingdom, the United States, Canada, India, Australia and countries within Europe’s SEPA region.

The launch of this service responds to a growing need for reliable outbound money transfer solutions, which play a vital role in supporting cross-border mobility, trade, and investment.

As Africa becomes more integrated into the global economy, outbound payments are increasingly important for individuals and businesses to manage education expenses, medical payments, family support, and commercial transactions abroad.

POSB Remit Outbound addresses this market gap by enabling outward remittances through a trusted, accessible channel.

The service is available at all POSB branches nationwide, with transfers starting from as little as USD 5.

Funds are credited directly into recipients’ bank accounts, mobile wallets or cashout agents, helping individuals and small businesses connect to the global economy safely and seamlessly.

Through this collaboration, POSB aims to make it easier for Zimbabweans to support loved ones, pay for education, or manage business commitments abroad, expanding digital financial inclusion in Zimbabwe and across Africa.

Garainashe Changunda, Chief Executive Officer of POSB, said: “POSB Remit Outbound underscores our strategic collaboration with Mastercard to advance financial connectivity for Zimbabweans.

By enabling seamless global transactions, we reaffirm our joint commitment to driving convenience, digital inclusion, and innovative payment solutions across borders.”

Gabriel Swanepoel, Country Manager, Mastercard Southern Africa, said: “At Mastercard, we are building the infrastructure that powers inclusive global money movement.

By combining Mastercard Move’s innovative money movement solutions and extensive reach with POSB’s trusted local presence, we are enabling Zimbabweans to move money securely and transparently, with the choice and speed they need to thrive in today’s connected economy.”

Mastercard Move spans 200 countries and territories, supporting transactions in over 150 currencies.

It connects to nearly 10 billion endpoints and provides access to more than 95% of the world’s banked population, giving users confidence, control and flexibility in how they move money across borders.

Zimbabwe Broadcasting Authority Reaffirms Stance Against Explicit Online Content

The Broadcasting Authority of Zimbabwe (BAZ) has issued a stern warning to social media content creators, reiterating its constitutional mandate to protect children and national values from explicit online material.

 

The move follows a significant public outcry in Zimbabwe regarding content, including alleged nudity, posted on Facebook by a creator known as “Queen Nadia TV,” which has amassed millions of followers.

In a press statement dated February 3, 2026, BAZ Acting CEO Eng. Matthias Chakanyuka emphasized that all content consumed within Zimbabwe is subject to the country’s legal framework, regardless of the platform used for distribution.

The Authority noted with “serious concern” the dissemination of explicit digital content easily accessible to children.

 The statement references several key pieces of legislation, Section 61 of the Constitution guarantees freedom of expression, but stipulates that this must be enjoyed responsibly and with due regard to the rights of others.

It also referenced the Broadcasting Services Act [Chapter 12:06], which ensures children’s right to protection from exposure to content harmful to their moral and psychological development.

The Censorship and Entertainment Control Act [Chapter 10:04] prohibits the dissemination of content that is indecent, obscene, or offensive to public morals.

BAZ has vowed not to permit the misuse of digital platforms in a manner that violates these laws or the nation’s collective moral standards.

The Authority stated it will “take appropriate enforcement measures to ensure compliance” and safeguard the public interest.

The controversy surrounding Queen Nadia TV has sparked a wider national debate on cultural values, online monetization, and the effectiveness of platform content policies like Facebook’s in a local context.

Kold AF Signals New Creative Era With Reflective Single “lost!”

Kold AF is stepping into a new creative chapter, one she intends to be nothing short of era-defining. Signalling a bold evolution in both sound and storytelling, her latest single “lost!” introduces a more introspective and emotionally open side of the rising artist.

 

The release offers listeners a rare glimpse behind the curtain, revealing the internal struggles that have shaped her journey toward superstardom.

Globally recognised for her fierce delivery and unapologetic confidence, Kold AF deliberately shifts her focus inward on “lost!”.

The single captures a moment of vulnerability that contrasts sharply with her usual defiant persona, highlighting the emotional toll that ambition, growth, and visibility can carry.

“For the longest time, my mind has been feeling like my enemy, like the weapon fashioned against me,” 

Kold AF shares, speaking candidly about a period marked by self-doubt and mental exhaustion.

Sonically, “lost!” is understated yet intentional. Smooth percussion, restrained melodies, and a head-nodding rhythm form the foundation of the track, allowing space for reflection without sacrificing momentum.

The production mirrors the song’s emotional tension, balancing fragility with quiet strength. Rather than concealing her struggles behind high-energy bravado, Kold AF allows them to take centre stage, creating a listening experience that feels raw, personal, and deeply human.

At its core, “lost!” functions as both a confession and a message of reassurance. Kold AF describes the song as a letter to her younger self, as well as to fans who may be navigating similar feelings of uncertainty and displacement.

It speaks to the experience of losing one’s sense of direction while chasing dreams, and the courage it takes to rediscover identity in the midst of pressure and expectation.

In doing so, the track resonates beyond borders, connecting with a global audience through its emotional honesty.

More than a reflection of a difficult chapter, “lost!” stands as evidence of resilience and growth.

The single not only documents a period of struggle, but also the beginning of clarity and self-reclamation. It marks a pivotal moment in Kold AF’s artistic evolution, setting the tone for a new creative era rooted in authenticity, emotional depth, and intention.

With “lost!”, Kold AF proves that vulnerability is not a weakness, but a form of power.

The single positions her as an artist unafraid to be seen fully, embracing both strength and softness as she continues to carve out her place on the global stage.

Zimbabwe Launches World-Class FIFA-CIES Sports Management Programme

Zimbabwe has taken a decisive step towards the professionalisation of sport with the official launch of the MSU/ZIFA/FIFA/CIES International Programme in Sports Management, a globally recognised qualification now being delivered in the country for the first time.

 

The programme was officially launched in Harare, bringing together Government, academia, football leadership and international partners in a powerful show of collaboration and shared purpose.

The initiative is being delivered by Midlands State University in partnership with the Zimbabwe Football Association, FIFA and the International Centre for Sports Studies, positioning Zimbabwe within an elite global network of institutions shaping the future of sports administration.

Speaking at the launch, Deputy Minister of Sport, Recreation, Arts and Culture Emily Jesaya welcomed the programme as a milestone for national sports development, noting its alignment with Government’s vision of building strong, accountable and professionally run sporting institutions.

“This programme reflects the direction we want sport in Zimbabwe to take,” said Deputy Minister Jesaya. “It shows what is possible when Government, universities, sports associations and international partners work together. Sport is no longer sustained by passion alone.

“It must be managed with skill, integrity and professionalism, and this initiative directly addresses that need.”

The FIFA-CIES International Programme in Sports Management is a one-year diploma that equips current and aspiring sports administrators with knowledge across key areas such as governance, finance, marketing, communication, law and event management.

Delivered through a mix of face-to-face and online learning, the programme combines academic rigour with real-world case studies and exposure to international best practice.

For Zimbabwe Football Association, the launch represents a critical pillar of its ongoing institutional reform agenda. ZIFA President Nqobile Magwizi described the programme as an investment in people and systems rather than short-term solutions.

MSU Vice-Chancellor Victor Ngonidzashe Muzvidziwa said the programme reflects the university’s commitment to applied, impactful education that responds to national development needs.

“This programme is a landmark for our university and for Zimbabwe,” said Professor Muzvidziwa. “Sport is a growing social and economic sector, and it requires administrators who understand leadership, governance and innovation.

“Through this partnership with ZIFA, FIFA and CIES, we are positioning Midlands State University at the forefront of professional sports management education and contributing meaningfully to the development of sport in Zimbabwe and beyond.”

International partners also underlined the significance of Zimbabwe joining the FIFA-CIES global education family. CIES representative Vincent Monnier welcomed the launch as an important expansion of the programme’s footprint in Africa.

“The FIFA-CIES programme was created to help sports organisations meet the increasing complexity of modern sport,” said Monnier.

“We are proud to see Zimbabwe become part of this international network. This programme connects local administrators to global knowledge, global standards and a worldwide alumni community. It is not only about learning, but about building lasting professional networks that strengthen sport at national and regional level.”

The launch was also attended by senior officials from the Sports and Recreation Commission, representatives of various sporting codes, club administrators and prospective participants, underscoring the programme’s relevance beyond football.

Zimbabwe Tourism Authority Appoints Dr. George Manyaya as New Chief Executive

The Zimbabwe Tourism Authority has appointed Dr. George Munyaradzi Manyaya as its new chief executive officer, the board announced this week, signaling a leadership transition at a time when the country is seeking to strengthen its position in the regional and global tourism market.

 

Dr. Manyaya will assume the role on Feb. 1, 2026.

The board said Dr. Manyaya brings a blend of academic credentials and cross-sector leadership experience to the post.

He holds a doctorate in business management, a master’s degree in international relations, a master’s in strategic management and corporate governance, and a bachelor’s degree in business management.

He also has professional qualifications in mass communication, diplomacy and regulation.

His career has spanned several sectors considered critical to tourism development, including aviation, transport, telecommunications, energy, mining and banking.

He has also worked within the United Nations system, including with the International Organization for Migration, gaining exposure to international development and stakeholder coordination.

Most recently, Dr. Manyaya served as general manager responsible for marketing, communications and stakeholder relations at ZESA Holdings, Zimbabwe’s power utility.

In that role, he oversaw corporate communications and engagement strategies in a sector central to infrastructure and national development.

He also chairs the Zimbabwe National Road Administration (ZINARA), where he has led governance reforms, rebranding efforts and modernization initiatives, according to the ZTA board. Over the years, he has served on several public and private sector boards.

Dr. Manyaya is no stranger to the tourism industry. He was appointed a Tourism Brand Ambassador and served on the organizing committee of the 2013 United Nations World Tourism Organization General Assembly, which Zimbabwe co-hosted with Zambia.

The event was widely viewed as a milestone for the country’s tourism sector.

As chief executive, Dr. Manyaya will be tasked with positioning Zimbabwe as a competitive destination in a crowded global market.

His mandate includes driving tourism development, enforcing industry standards, strengthening tourism intelligence systems, coordinating public and private sector stakeholders and facilitating sustainable investment.

The appointment comes as Zimbabwe continues efforts to grow arrivals and attract investment amid broader economic reforms.

Tourism remains one of the country’s key foreign currency earners, anchored by attractions such as Victoria Falls, national parks and cultural heritage sites.

The board said it expects Dr. Manyaya’s strategic leadership and experience across infrastructure-linked sectors to help align tourism growth with national development priorities.