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ZIFA Unveils Development Agenda Under Head of Technical, Dominique Niyonzima

The Zimbabwe Football Association (ZIFA) has reaffirmed its commitment to building a stronger foundation for the growth of football in the country, unveiling key priorities under the leadership of its Head of Technical, Mr Dominique Niyonzima.

 

Technical development has been identified as a central pillar for the future of Zimbabwean football.

The role of the Technical Director is to define and lead the national technical development programme, focusing on increasing player participation, enhancing youth and women’s football, strengthening coach education, and establishing a long-term player development strategy.

ZIFA acknowledged historical challenges, including the absence of a formal long-term development plan, limited resources, and a lack of structured systems for youth leagues, scouting, coach education, and sports science.

However, significant steps have already been taken, including the reintroduction of CAF coaching courses after seven years, the submission of a Technical Long-Term Development Plan, the adoption of women’s football strategies, and the launch of youth competitions across all provinces from January.

Mr Niyonzima’s agenda will also see the establishment of regional and provincial technical directors, refresher programmes for coaches and instructors, and the creation of an online talent identification platform to ensure that every young player across Zimbabwe has a chance to be recognised.

ZIFA will also roll out a national football philosophy to align youth and senior football, as well as expand partnerships with schools, academies, and stakeholders.

Speaking at the unveiling, ZIFA emphasised that technical development is a long-term process requiring vision, stability, and perseverance.

With the support of FIFA, CAF, government, clubs, and the football community, ZIFA aims to build inclusive pathways that will transform grassroots football, nurture elite talent, and restore Zimbabwe’s competitiveness on the international stage.

Vusi Nova Returns with His Spiritually Charged Album ‘Promises’

South Africa’s soulful voice of devotion and passion, Vusi Nova, makes a powerful return with his most intimate body of work to date , a 13-track masterpiece album titled Promises.

 

At the heart of the album is its stirring lead single, Black Sweater, a collaboration with none other than Anthony Hamilton ,  the GRAMMY® Award-winning singer, songwriter, producer, actor, and cultural icon.

With over 50 million albums sold worldwide, Hamilton has long been celebrated as the “narrator of love,” with a career spanning raw, awe-inspiring performances and timeless classics like his iconic 2003 smash, Charlene.

With Hamilton’s unmistakable gravitas joining Vusi Nova’s rich, heartfelt delivery, Black Sweater is more than a song ,  it’s an anthem of vulnerability and passion, the moment where two of soul’s most powerful voices unite across continents.

The album itself opens in prayer, with Vusi laying his soul bare in a plea for God’s unwavering presence, declaring divine love as his eternal anchor before any human affection.

From this sacred foundation, the project unfolds into a courageous exploration of love, its beauty, its risks, and its all-consuming power. Each track stands as a testimony to Vusi’s truth, a man guided by faith yet unafraid to embrace the depths of his heart.

The spark for Black Sweater ignited on August 9, 2025, when Vusi Nova and Anthony Hamilton first shared the stage at the DP World Wanderers Stadium in Johannesburg for a Women’s Day Celebration concert.

Part of the acclaimed Soulful Night series alongside Joe Thomas, Zonke, and Sjava, the evening showcased a diverse lineup of soul and R&B artists  but it was the connection between Vusi and Anthony that stood out.

Reflecting on that moment, Vusi Nova says:

“Performing alongside Anthony Hamilton that night was the start of something special. There was an immediate musical chemistry, a feeling that this was more than just a one-time performance.

“We knew there was a story we could tell together. That energy carried over to the studio, and that’s how Black Sweater came to life, a song born from a shared moment on stage and transformed into a collaboration that celebrates faith, love, and soul.”

Seamlessly blending soulful Afro-pop with gospel-inspired harmonies, the album offers an uplifting yet deeply personal encounter with one of South Africa’s most cherished voices.

Ahsan Aqil Ali: From schoolboy cricketer to National ambitions

Zimbabwean cricketer Ahsan Aqil Ali has walked a winding path in his cricketing journey – one that began as a schoolboy, paused due to family responsibilities, and reignited years later with renewed purpose.

 

Today, he is driven by the dream of representing Zimbabwe on the world stage.

Ali recalls his early start vividly: “I started playing cricket when I was 15, started from Prince Edward School under 15, under 16. I played under-16 match Eagles, and then I made the under-17 Zimbabwe team, toured to SA.”

“I was the best bowler of the tournament in SA, and then couldn’t make the under-19 since we didn’t have Zim A squad back then. And then I had to stop playing cricket because of family reasons.”

After stepping away from the game, he eventually returned at 27, spurred on by the encouragement of his family. “My family really had insisted I should carry on my profession in cricket. So I started playing cricket two years ago… that’s my cricket journey so far.”

The Impact of the NPL

The relaunch of his cricket career coincided with the opportunities presented by the National Premier League (NPL), which Ali describes as a game-changer.

“It’s a big thanks to Zimbabwe Cricket, Zimbabwe Cricket Board. They have put a National Premier League, especially for the people who want to play cricket professionally. For me, it has been wonderful since I was a player of the tournament last year in NPL.”

The platform gave him national exposure and paved the way for him to join the Rhinos franchise.

“Since it’s a National Premier League, you know, that’s where people recognise you as a cricketer. And then I got a chance to play for Rhinos… Luckily, in my second first-class game, I scored 100 against Mash Eagles at Harare Sports Club.”

For aspiring cricketers, Ali is clear: “I would just advise them to play National Premier League, since that’s the best platform for everyone who wants to get into professional cricket, especially going up there.”

Ali was named MVP for his maiden NPL season, turning out for Mbizo.

A Memorable First-Class Debut Season

Reflecting on his debut season with the Rhinos, Ali is quick to credit those who supported him.

“Last year was my first year playing for Rhinos. It’s been a wonderful year for me, a wonderful season since it was my debut season. Our staff, especially our coach, Adam Chifo, he’s been a wonderful coach to me. He’s been guiding me since day one, even till now.”

The camaraderie within the team also stood out.

“The management and the manager and everyone, and the captain, coaches, players, everyone’s been so, so good to me and so supportive. Special thanks to everyone from Rhinos. It’s been a wonderful year to me and I’m looking forward for this year.”

This Season’s Goals

Heading into the just-ended NPL campaign, Ali set himself ambitious targets. “I had it in my mind that we would finish in top three as a club. And personally, I was looking to score 1,000 runs and somewhere 30 wickets in my pocket.”

Though he hasn’t quite reached those lofty numbers, he remains grounded and grateful. “So far, I’m sitting on 600 with two games remaining. On wickets, I think I have 13 wickets in my pocket.

“To me, I’m so grateful to the Almighty Allah that I’m still doing good. Not what I planned, but still, whatever I’m getting, I’m grateful. And it’s just good.”

Ali  inished the season with 628 runs and 17 wickets. He captained Alex Cricket Club to the NPL T20 Blast in their debut season.

The Dream of Playing for Zimbabwe

For Ali, all roads lead to one ultimate ambition: representing his country. “As a kid, when I started playing cricket at 15, I was hoping to play for Zimbabwe sooner, but due to family reasons, I couldn’t play back then. So, yeah, the initial plan is to play for Zimbabwe and hopefully to put Zimbabwe number one in the world table.”

His aspirations go beyond simply making the team — he dreams of becoming one of the world’s best.

“Hopefully one day I will be the best player of the world. I mean, best batsman and best bowler, best all-rounder… and hopefully we’ll take Zimbabwe’s flag up there whereby people can see that Zimbabwe cricket is there to be recognised.”

With determination in his voice, Ali concludes: “Hopefully, inshallah, one day that dream will come true.”

Chibuku Road to Fame 2025 Provincial Finals Conclude as Harare and Mash Central Crown Winners

The final chapter of the Chibuku Road to Fame 2025 provincial finals unfolded this past weekend at Whitehouse in Harare, where the last two provinces Harare and Mashonaland Central crowned their champions.

 

With these results, the lineup for the national finals at Gwanzura Stadium on October 4 is now complete.

In Harare, Chitima Band secured first place with their Afro-fusion performance, while Khaya Lami Band, also an Afro-fusion group, took second. Rimi Band rounded off the top three.

Mashonaland Central also leaned heavily toward Afro-fusion in a tightly contested competition. D.N.A Band claimed top honours, followed by Shanda Band in second. Mt Darwin Stars Band, representing the Sungura genre, finished third.

The provincial competions carried prizes of US$2,500 for the winner, with outfits finishing second and third, collecting US$1,500 and US$1,000 respectively.

With all provincial rounds concluded, attention now shifts to Gwanzura, where finalists from across Zimbabwe will compete for the US$15,000 top prize and a recording contract.

Chitima Band

The second- and third-placed acts will receive US$10,000 and US$7,000 respectively.

This year’s competition marking its 25th anniversary has highlighted the growing prominence of Afro-fusion as a dominant genre, with winners from nearly every province excelling in the style.

At the same time, Sungura, traditional, and contemporary acts continue to bring diversity to the stage, ensuring a wide spectrum of Zimbabwean music is represented.

Organised by Delta Beverages in partnership with the National Arts Council of Zimbabwe (NACZ), Chibuku Road to Fame has established itself as the country’s premier grassroots music platform since 2001.

The new format introduced in 2025 consolidating provincial contests into six larger regional events has amplified competition, ensuring only the strongest contenders advance to the national stage.

Gwanzura Stadium to Host Chibuku Road to Fame 2025 Finals as Competition Marks 25 Years

Gwanzura Stadium will take center stage on Saturday, October 4, 2025, as it hosts the Chibuku Road to Fame National Finals, one of Zimbabwe’s longest-running music talent competitions.

 

The venue, a historic site in Harare’s Highfield suburb, will welcome thousands of fans and musicians for a day that blends grassroots artistry with a significant industry milestone: the contest’s 25th anniversary.

Organized by Delta Beverages in partnership with the National Arts Council of Zimbabwe (NACZ), the Road to Fame competition has grown into the country’s premier platform for discovering emerging talent.

Since launching in 2001, it has propelled unknown acts into mainstream recognition, cementing its reputation as both a cultural institution and a pipeline for the music industry.

This year’s edition has drawn provincial winners from across Zimbabwe. So far groups that will take the stage at Gwanzura include:

  • Core Vibes (Midlands) – Afro-fusion
  • All in One (Mashonaland West) – Afro-fusion
  • Simuniziva (Matabeleland North) – Afro-fusion
  • Dab Band (Bulawayo) – Afro-fusion
  • Bolamba Culture Birds (Matabeleland South) – Traditional Contemporary Music
  • Afro Pulse (Masvingo) – Afro-fusion
  • Mnenga Band (Manicaland) – Afro-fusion
  • Jungle Foxes (Mashonaland East) – Sungura

Harare and Mashonaland Central will complete the finalist lineup this weekend.

The competition’s rewards are substantial. The winning group at the Chibuku Road to Fame National Finals will take home US$15,000 and a recording contract, while the second- and third-place finishers will receive US$10,000 and US$7,000 respectively.

Beyond the financial prizes, the event serves as a launchpad for careers in an industry where platforms to showcase talent remain scarce.

Guest performances from established artists are also expected to complement the finalists’ sets, ensuring a full-day program from 10 a.m. until late.

Choosing Gwanzura as the venue for the Chibuku Road to Fame National Finals carries symbolic weight. The stadium, deeply rooted in Zimbabwe’s cultural and sporting history, situates the competition in a location synonymous with community gatherings and national pride.

For many artists, performing at Gwanzura represents not just exposure, but entry into the country’s cultural memory.

Harare welcomes Africa’s best as T20 World Cup Qualifier roars to life

Harare will burst into life this weekend as eight teams converge on the Zimbabwe capital for the ICC Men’s T20 World Cup Africa Qualifier 2025, running from 26 September to 4 October.

 

The stakes could not be higher, with the top two finishers securing their spots at the ICC Men’s T20 World Cup 2026 in India and Sri Lanka.

Group A features Namibia, Malawi, Nigeria and Kenya, while Group B has hosts Zimbabwe alongside Uganda, Tanzania and Botswana.

Each team will face their group rivals once, before the semi-finals decide the finalists who will not only battle for the regional crown but also clinch coveted tickets to the global showpiece.

A total of 28 matches – including eight official warm-up games – will be played across Harare Sports Club and Takashinga Cricket Club, with two fixtures scheduled per venue each matchday.

The tournament bowls off on Friday, 26 September, with Namibia taking on Kenya at Harare Sports Club and Nigeria meeting Malawi at Takashinga in morning fixtures starting at 0930 hours.

In the afternoon matches scheduled for a 1350 hours start, Zimbabwe begin their campaign against Uganda at Harare Sports Club, while Tanzania clash with Botswana at Takashinga.

Fans can also look forward to other action-packed matchdays, including Zimbabwe’s group-stage encounters against Botswana on Sunday, 28 September, and Tanzania on Tuesday, 30 September, both at Harare Sports Club.

The two semi-finals are set for Thursday, 2 October, at Harare Sports Club, which will also host the grand final on Saturday, 4 October.

Playoff matches will take place at Takashinga.

Zimbabwe Cricket Chairman Tavengwa Mukuhlani said the country was excited and ready to host Africa’s best for a tournament of such magnitude.

“Zimbabwe is fully prepared to stage this important qualifier and we are thrilled to welcome seven other nations to Harare for what promises to be a thrilling week of cricket,” he said.

“We call on our fans to come out in their numbers to enjoy the action, create a vibrant atmosphere and make this event a real spectacle as the teams battle for two places at the ICC Men’s T20 World Cup 2026.”

ICC MEN’S T20 WORLD CUP AFRICA QUALIFIER 2025 FIXTURES

DATEMATCHVENUESTART
Warm-Up22 SeptemberKenya vs ZimbabweHarare Sports Club0930
Malawi vs BotswanaTakashinga Cricket Club0930
Namibia vs UgandaHarare Sports Club1350
Nigeria vs TanzaniaTakashinga Cricket Club1350
Warm-Up24 SeptemberKenya vs TanzaniaHarare Sports Club0930
Namibia vs BotswanaTakashinga Cricket Club0930
Nigeria vs ZimbabweHarare Sports Club1350
Malawi vs UgandaTakashinga Cricket Club1350
Matchday 126 SeptemberNamibia vs KenyaHarare Sports Club0930
Nigeria vs MalawiTakashinga Cricket Club0930
Uganda vs ZimbabweHarare Sports Club1350
Tanzania vs BotswanaTakashinga Cricket Club1350
Matchday 228 SeptemberNamibia vs NigeriaHarare Sports Club0930
Uganda vs TanzaniaTakashinga Cricket Club0930
Zimbabwe vs BotswanaHarare Sports Club1350
Kenya vs MalawiTakashinga Cricket Club1350
Matchday 330 SeptemberZimbabwe vs TanzaniaHarare Sports Club0930
Uganda vs BotswanaTakashinga Cricket Club0930
Namibia vs MalawiHarare Sports Club1350
Kenya vs NigeriaTakashinga Cricket Club1350
Matchday 42 October1st Group A vs 2nd Group B (SF1)Harare Sports Club0930
3rd Group A vs 4th Group BTakashinga Cricket Club0930
1st Group B vs 2nd Group AHarare Sports Club1350
3rd Group B vs 4th Group ATakashinga Cricket Club1350
Matchday 54 October3rd-Place PlayoffHarare Sports Club0930
7th-Place PlayoffTakashinga Cricket Club0930
FINALHarare Sports Club1350
5th-Place PlayoffTakashinga Cricket Club1350

 

Dj Neptune Releases High-Energy Single “Dance No Dance” Featuring Swayvee

DJ Neptune continues to redefine African music with the release of Dance No Dance, a standout single from his highly anticipated album Greatness IV.

 

Produced by DJ Neptune and Swayvee, the track delivers infectious beats, captivating rhythms, and high-energy vibes designed to get listeners moving.

Featuring the vocal flair of Swayvee, Dance No Dance blends Afrobeat and Afro-fusion with a dancefloor-ready production, showcasing Neptune’s signature ability to fuse contemporary sounds with authentic African musicality.

Recorded in Nigeria, the single reflects the dynamic collaboration between two of Africa’s most exciting talents, creating a track that is both fresh and unforgettable.

Dance No Dance is available now on all major streaming platforms.

Digital Freedom on the Agenda as Hub UnConference Returns to Harare

The Hub UnConference, Zimbabwe’s leading annual gathering on digital media, civic tech, and the creative economy, returns for its 11th edition on September 24–25 at Harare Gardens.

 

This year’s theme, “Decolonize the Internet,” challenges Africans to confront Western biases online and create alternative digital spaces.

Running in the build-up to Shoko Festival, the free-entry event will bring together more than 30 speakers from seven countries across Africa, including academics, activists, journalists, artists, and innovators shaping the continent’s digital and creative future.

The two-day program will focus on pressing questions around data ownership, algorithm bias, digital storytelling, AI’s impact on journalism, and Africa’s role in shaping global internet governance.

Sessions include fireside chats, lightning talks, skill-share workshops, debates, live podcast recordings, and interactive showcases.

Speakers include Goitse Kwada (Botswana), Martial Panucci (Burkina Faso), Antonio Kisemboi (Uganda), Kikaawa Nantume (Uganda), Willson Chivhanga (Malawi), Dean Bhebhe (South Africa),

Mufasa Poet (Kenya), Justine Wanda (Kenya), King Kandoro (Zimbabwe), ProBeatz (Zimbabwe), and keynote speaker Takura Zhangazha (Zimbabwe).

“We’re thrilled to host the 11th Hub UnConference at Harare Gardens as a free event that uses talks and edutainment to tackle pressing global issues,” said Hub Coordinator Takudzwa Musakasa.

“This year’s theme challenges colonial legacies embedded in internet infrastructure, biased AI, and foreign misinformation while calling on Africans to reclaim our digital narratives.”

A major highlight will be the Open Data Africa Summit, which gathers bloggers, activists, developers, and academics from across the region. Panels such as “Africa’s Data Goldmine: Who Profits, Who Loses?” will examine how countries can reclaim ownership of data for transparency, advocacy, and innovation.

Other sessions will explore integrating AI into education and building Africa-centered digital governance frameworks.

Musakasa noted that the UnConference is also designed to connect Zimbabwe’s media and tech colleges with broader African networks:

“One of our visions has been to create a space where universities and young innovators can collaborate and give birth to new ideas that will drive forward Africa’s alternative digital and media sectors.”

The Hub UnConference is organized by Magamba Network, the trailblazing creative and digital media organization behind Shoko Festival.

The event is held in partnership with CHARM Africa, a consortium that promotes human rights, civic freedoms, and media development.

Partners include Wits Journalism, Defend Defenders, Civil Rights Defenders, Civicus, Réseau des Femmes Leaders pour le Développement (RFLD), and Fojo Media Institute.

Previous editions have featured speakers from global media outlets such as The Guardian, CNN, and Al Jazeera. This year’s edition continues that legacy of bringing together local and international voices to explore Africa’s place in the digital future.

Entry is free, with RSVP required for planning purposes.

For details and registration: The Hub UnConference 

Zimbabwe’s Creative Industry Eyes Hollywood as Dylan Woodhouse Builds a Pipeline for Global Storytelling

Zimbabwe may soon find itself in the global film spotlight. As Hollywood searches for fresh narratives beyond recycled franchises and overextended intellectual property, Zimbabwean-born producer Dylan Woodhouse believes the country is ready to step forward as a source of world-class stories.

 

Woodhouse, now based in Los Angeles and working with Unrealistic Ideas, the non-scripted studio founded by Mark Wahlberg, is positioning Zimbabwe not just as a market but as a creative hub.

His mission: to turn local stories into globally viable intellectual property, developed with cultural integrity and commercial vision.

“Zimbabwe is not waiting to be discovered,” Woodhouse said. “We have the talent. We have the stories. All we need now is the platform — and that’s what I’m building.”

From mythology and liberation struggles to contemporary youth culture, Zimbabwe offers a wealth of narratives with both cultural depth and international appeal.

Local creators are increasingly fluent in balancing tradition with modern innovation, producing art, music, fashion, and digital content that resonates beyond national borders.

Streamers’ growing appetite for authentic, culturally specific stories aligns with what Zimbabwe can offer.

“We’re not pitching stereotypes. We’re presenting stories that stand on their own,” Woodhouse noted. “That could be a documentary, a family drama, or a survival story that begins in Zimbabwe and connects with audiences anywhere.”

Dylan Woodhouse

At Unrealistic Ideas, Woodhouse has worked across premium documentary and scripted projects, collaborating with major global streamers and collecting awards along the way.

He is currently developing multiple Zimbabwe-rooted projects in documentary, lifestyle, and unscripted formats. His broader goal is to normalise Zimbabwe as part of the global storytelling ecosystem.

“The aim isn’t just to get one Zimbabwean show made,” he said. “It’s to establish Zimbabwe as a consistent source of content and a production hub in its own right.”

Woodhouse emphasises that his approach is different from earlier attempts to “feature” African content through external lenses. His model prioritises authorship and ownership by Zimbabwean creatives.

This ensures cultural authenticity while giving local talent opportunities to benefit directly from the international success of their work.

By investing in development and building partnerships early, Woodhouse hopes to create an IP ecosystem that elevates Zimbabwean stories while retaining creative control.

Major League DJz and Scorpion Kings Headline NetOne 263 Culture Fest 3rd Edition

All is set for the third edition of the NetOne 263 Culture Fest, scheduled for 18 October at Thorn Polo Club.

 

The festival has grown in leaps and bounds over the past three years, attracting bigger acts and larger crowds with each edition.

Zimbuzz caught up with the festival’s creative director, Tapfuma Nzara, aka T Mula, who explained the move from Belgravia Sports Club to Thorn Polo Club.

“The main reason for changing the venue is that this year we have household names such as Major League DJz and the Scorpion Kings. Last year, Belgravia was a full house and we are expecting an even bigger crowd this year,” he said.

T Mula also confirmed that Nomuzi ‘Moozlie’ Mabhena will return as MC.

“She has become somewhat of a brand ambassador for the event. She understands both South African and Zimbabwean culture. With the way the festival has grown, we expect people from across the region to attend, which will also boost local tourism,” he added.

The festival will also feature a fashion showcase with designers presenting their collections. A wide variety of food will be on sale, from sadza to braaied meat, highlighting the different cultures of Zimbabwe.

The music line-up includes DJ Kent, the seasoned De Mthuda, Ciza of 6 AM fame, and rapper A-Reece, who will bring a South African hip-hop flavour with his strong catalogue.

On the local front, performers include Nisha Ts, Saint Floew now regarded as a veteran and known for his hit Silas Mavende and Atenda Chinx, who will share the stage with other Zimbabwean legends.

Gates open at 12 noon till late.