Saturday, August 2, 2025
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Zimbabwe Sables Qualify for World Cup 2027

It has been a good day for the Zimbabwe men’s rugby team, Sables, as they managed to qualify for the 2027 World Cup to be held in Australia after beating Namibia 30 – 28 in the Rugby Africa Cup final at the Nelson Mandela Stadium in Kampala Uganda.

 

This is the first time in three decades since Zimbabwe last qualified for the world cup tournament in 1991.

Namibia drew first blood through Cliven Loubser penalty.

It became a kicking competition between Loubser andZimbabwe’s Ian Prior as they exchanged blow for blow as the score was level at six all.

Brilliant work by Zimbabwean centre, Kudzai Mashawi, then crossed over the white wash with Prior converting separating the two sides Zimbabwe 13 – 6 Namibia.

Ian Prior went for posts increasing Zimbabwe’s lead to 16 – 6 after Jacques Theron conceded a penalty.

Namibia was not to be left behind before the break as Namibian captain, Prince Gaoseb, hit a try back which Loubser converted after taking advantage of the yellow card given to Jason Fraser for a deliberate knock-on.

Godfrey Muzanargwo managed to score in scrappy circumstances on the 45-minute mark before some brilliant work in the midfield by Brendon Mudzekenyedzi as he crossed over to give Zimbabwe a 30 – 21 lead.

Namibia managed to score a converted try through Jay Cee Nel.

It is Tiaan Swanepoel, however, who will have sleepless nights as the 79th minute penalty miss sealed the Namibians fate as they will have to go through a series of matches to ensure qualification.

On another celebratory note, Zimbabwe Rugby Union’s media personnel, Ronald Ncube, proposed to her girlfriend during the halftime of the Rugby Africa Cup final watch party at Harare Sports Club (We extend our heartfelt congratulations.)

Pulitzer Prize Winner Lynn Nottage Leads Zimbabwean Playwrights in Exclusive Masterclass

Award-winning playwright Lynn Nottage is in Harare to lead an intensive two-week Re-Write Masterclass, working closely with six emerging Zimbabwean writers to sharpen their storytelling skills and prepare their works for the global stage.

 

Running from 5 to 19 July at the Zimbabwe German Society, the workshop is part of Almasi Collaborative Arts’ new initiative, Africa Voices Now! A Festival of New African Plays.

It’s a significant moment for Zimbabwean theatre, offering rare access to one of the most acclaimed playwrights in the world Nottage is a two-time Pulitzer Prize winner, celebrated for works like Sweat, Ruined, and Intimate Apparel.

The selected playwrights Amanda Ranganawa, Batsirai Chigama, Kingsley Chinhanu, Philani Nyoni, Rudo Mutangadura, and Tatenda Mutyambizi are developing their scripts under Nottage’s guidance, focusing on the often overlooked but essential art of re-writing.

The program will wrap up with a free public showcase of scenes from the works in progress, scheduled for Saturday, 19 July, from 11 AM to 1 PM at the Zimbabwe German Society.

Almasi’s Associate Artistic Director Zaza Muchemwa says the initiative marks a new chapter in Zimbabwean theatre: “We’re creating space for meaningful cross-cultural exchange and ensuring African stories are ready to compete and shine on the world stage.”

Zimbabwe’s Broadcast Regulator Warns Online Broadcasters Amid Ethics Concerns

Zimbabwe’s broadcasting regulator has issued a stern warning to online broadcasters, urging them to align their content with national broadcasting laws and ethical standards.

 

In a statement released this Thursday, the Broadcasting Authority of Zimbabwe (BAZ) expressed “serious concern” over the growing spread of internet-based broadcasts that it says carry unverified, offensive, or harmful material.

While the statement did not name specific platforms or individuals, it follows mounting public criticism of a series of local podcast interviews that featured what many viewers described as unethical or intrusive lines of questioning by hosts.

“These incidents… represent a blatant disregard for the guidelines provided in the nation’s broadcasting laws,” the Authority said, pointing to existing legislation such as the Broadcasting Services Act and the Code of Conduct for Broadcasters.

The BAZ emphasised that freedom of expression and media, while constitutionally protected, must be exercised responsibly.

“Broadcasting via the internet does not equate exemption from responsible broadcasting,” the Authority warned.

“Broadcasting platforms must not become vehicles for lawlessness, misinformation, or the erosion of core national values.”

Zimbabwe has seen a rise in the popularity of online content creators, especially podcasters and YouTube personalities who often tackle topics traditional outlets avoid.

But the regulatory reminder may signal a tightening of oversight on how far those discussions can go.

The BAZ said it would continue to monitor both traditional and digital media and would not hesitate to enforce the law where violations are found.

It also encouraged all broadcasters to familiarise themselves with the Code of Conduct and ensure their content complies with the law.

Critics have raised concerns that the statement could be used to clamp down on dissent or unconventional voices under the guise of ethics enforcement.

Others argue that standards are needed to ensure professionalism as the digital media landscape expands.

Jah Prayzah Touches Down as Mutare Gears Up for Chibuku Neshamwari Finals

Zimbabwean music star Jah Prayzah returned from Canada on Thursday ahead of his headline performance at the Chibuku Neshamwari Traditional Dance Festival, set to take place in Mutare this Saturday.

 

The event, one of the country’s most anticipated celebrations of traditional dance, will be held at the Mutare Show Grounds and is open to the public free of charge, though only those aged 18 and above will be allowed entry.

Joining Jah Prayzah on stage will be an impressive lineup that includes sungura maestro Alick Macheso, Zimdancehall artist Enzo Ishall, and the high-energy Vibrant Band.

Now in its 2025 edition, the festival’s national finals will see ten top traditional dance troupes from across Zimbabwe compete for the crown.

The winning group will take home a cash prize of US$15,000, while second and third place will receive US$10,000 and US$7,500, respectively.

This year’s finalists represent a diverse cross-section of Zimbabwe’s cultural landscape, with each province fielding its best performers:

  • Sekunjalo MaAfrika (Bulawayo)
  • Sekusile Dance Group (Matabeleland South)
  • Imvimbi Arts (Matabeleland North)
  • Undi Gure (Midlands)
  • Semvumba Arts Ensemble (Manicaland)
  • Katawa Traditional Dance (Mashonaland West)
  • Jeketera Renyaungwe (Masvingo)
  • Goromonzi Arts (Mashonaland East)
  • Green Stars Dance Troupe (Harare)
  • Guruve Marimba Arts Ensemble (Mashonaland Central)

The Chibuku Neshamwari Traditional Dance Festival, organised annually with support from Delta Beverages, in partnership with the National Arts Council of Zimbabwe (NACZ) and the Zimbabwe National Traditional Dance Association (ZNTDA), continues to champion the preservation and promotion of Zimbabwean traditional dance.

WATCH JAH PRAYZAH’S ARRIVAL AT THE RGM AIRPORT

@zimbuzz

We bumped into Jah Prayzah and his band at the Airport on their way from Canada. This Saturday they will be in Mutare for the Chibuku Neshamwari Finals

♬ original sound – Zimbuzz

Three Times Called, One Message of Faith: Travis Greene Back in Zimbabwe

American gospel artist and pastor Travis Greene will once again descend on Zimbabwe for a phenomenal night of worship on July 18, 2025, as part of his ongoing Made a Way Tour.

 

What’s phenomenal about this tour is that it includes other amazing acts like Kaestrings, TikTok sensation Grace Idowu, and The Voice UK’s former winner Annatoria.

A Bit of History

In 2015, Intentional was released. The impact the song had was so incredible that it didn’t seem to match the artist’s image. The song’s upbeat nature didn’t quite align with the humble-looking guy in a jacket on the poster.

To be frank, seeing Travis Greene before hearing any of his music gave off a vibe more reserved for worship artists like Bishop Paul Morton, Brian Courtney Wilson, and Pastor Donnie McClurkin, to name a few.

At the time, Charles Jenkins’ Awesome and This Means War dominated many playlists. For real gospel music fans, artists like Forever Jones, Mali Music, The Walls Group, 116 Clique, Tasha Cobbs, Jonathan McReynolds, and TobyMac were really on fire during those days.

Enter Travis Greene! Intentional and Made a Way were absolute bangers. For this writer, Greene’s music became the soundtrack of his life.

Songs like Thank You for Being God, Who You Were, The Anthem, and Alive (featuring Mali Music) had a profound impact during a spiritually trying time.

Greene continued to influence spiritual growth with later releases like Finally Found, Daddy’s Home, Crossover, Do It Again, and The Breaker.

His upcoming third visit to Zimbabwe is a real opportunity for anyone who can attend to experience God’s presence.

When someone with a death-to-life testimony worships, dry bones will surely come to life.

Why Attend the Show?

Beyond Travis Greene, one of Africa’s fastest-rising artists, Kaestrings, will also be present.

Some know him from the viral Gyara Ni na Yesu song, while others may remember him from Pastor Nathaniel Bassey’s Hallelujah Challenge a year or so ago. The young man is a serious worshipper.

Then there is Grace Idowu. Her renditions of gospel songs always hit differently.

And of course, Annatoria

After two disappointing no-shows, fans will be hoping to finally see this amazingly talented songstress take the stage.

It would be a great moment even for her to perform in her home country.

As for the local acts, they never disappoint. They seem to grow in magnitude to suit the stages they stand on.

Finally…

Celebration Centre is the place to be on Friday, July 18, 2025, for this promising show. It’s going to be worth your while!

Proteas Off to a Flying Start in Tri-Series with 5-Wicket Win Over Zimbabwe

South Africa kicked off the T20I triangular series with an impressive 5 wicket victory over hosts Zimbabwe at Harare Sports Club on Monday.

 

Proteas captain Rassie van der Dussen won the toss and elected to field first on a surface that offered little assistance to bowlers. The visitors handed debuts to three players: Corbin Bosch, Rubin Hermann, and Lhuan-dré Pretorius.

Zimbabwe’s batting struggles continued, with Wesley Madhevere the first to fall in the third over ,dismissed for just 1 run after hitting his own stumps off the bowling of Lungi Ngidi, leaving the hosts at 8-1.

Brian Bennett provided some resistance with a solid 30 off 28 balls before falling to George Linde.

A 50 run stand between captain Sikandar Raza and Ryan Burl proved vital during the middle overs. Burl eventually departed in the 17th over for 29 off 20 deliveries.

Raza held firm until the end, finishing unbeaten on 54 his 15th T20I half-century as Zimbabwe posted a respectable 141/6 in their 20 overs.

For South Africa, left-arm spinner George Linde starred with the ball, picking up 3 wickets for just 10 runs at a tidy economy rate of 3.33.

In response, South Africa’s chase got off to a shaky start. Zimbabwe pacer Richard Ngarava struck early, removing both Pretorius and Reeza Hendricks within the first two overs.

But a crucial 50 run partnership between Dewald Brevis and debutant Rubin Hermann steadied the innings.

Hermann top scored with 45 off 37 balls before Ngarava struck again, clean bowling him with a beauty that knocked over middle stump.

Trevor Gwandu chipped in with two wickets for 15 runs, but it wasn’t enough to stop the Proteas, who reached 142/5 with four overs to spare.

Upcoming Matches:

Wednesday, 16 July – South Africa vs New Zealand

Friday, 18 July – Zimbabwe vs New Zealand

Alexio’s Brave Resurrection, Nothing to Fear: His Spot is Solidified

When walking solo in the plains of the savanna, with tall grass and predatory felines as the only company, would fear creep in at all?

 

Even when one goes on a very long hiatus from the public, is there anything to be afraid of when making a comeback?

The answer is simple: Hatitye. Loosely translated, hatitye means “we are not afraid.”

This is the track Mr. Alexio Kawara has chosen to resurrect his — never frail but often overlooked career: Hatitye.

His previous album releases, Tose and Kana, coupled with a plethora of singles, had already made him a household name.

Although it is clear from his latest release that he is likely to dominate the gospel genre as he did during his Urban Grooves era, Alexio will have to put in the work and remain consistent.

Like his fellow former Urban Groover, Tembalami, Alexio can easily become a force in gospel music.

What sets him apart is his ability to switch between genres that’s pure magic.
For someone who has been widely known for love songs, this switch could elevate him into uncharted territory: gospel music.

His voice on a pure Afro-beats track could still melt hearts as it did in his earlier days. Hatitye proves that.

An inscription about the song on YouTube describes it like this: Hatitye is a Shona word which means “we are fearless.”

This song speaks to the fears that hinder us from reaching our God-given destinies. We are assured of victory because God, the Creator, has given us the Way in the form of His Son, Jesus Christ. We walk fearlessly because we trust Him to lead the Way.

Could he be telling his fans that he now knows his destiny? The setting of the visuals alone speaks volumes showing that even in plains and unnatural environments, one need not fear as long as the Lord is with them.

The greatest tale told by this uniquely sounding track is its emphasis on the Word of God.
Alexio starts by digging up a Shona Bible, as if to symbolise the new musical path he is now taking.

Then, he leads a band of followers in single file perhaps to show that he is now guiding people toward the one true God.

His vocal prowess is not to be underestimated. He starts in a very low register and gradually shifts to higher notes, inviting the melodious backing vocalists.

Even the production quality of the song is exquisite. (Jairosi Hambahamba produced it; visuals were done by Simba Gee.)

The void he left, he has returned to fill. No other musician can do what Alexio does.
This is a beautiful song that could leave a mark on Africa.

Now, we wait for more new tracks from Lex. We can only hope they come soon.

Until then, PEACE…

Zimbabwe Defeat Kenya to Move One Step Closer to Rugby World Cup

Zimbabwe’s Sables edged past fierce rivals Kenya 29–23 in a fiercely contested Rugby Africa Cup semi-finals encounter at Mandela National Stadium, in Nambole, Uganda.

 

The victory books Zimbabwe a place in the final against southern foes Namibia, and inches them tantalisingly closer to their long-awaited return to the Rugby World Cup.

The Sables drew first blood early in the opening exchanges, thanks to a moment of sublime chemistry between centres Brendon Mudzekenyedzi and Edward Sigauke.

The duo sliced through the Kenyan defence with surgical precision, and Mudzekenyedzi dotted down a marvellous try, the kind that would not be out of place on a grander stage.

Kenya, undeterred and flamboyant, responded with a try of their own but failed to convert, levelling the scores at 5–5. Redemption soon came for Prior, who slotted a penalty with calm assurance, nudging Zimbabwe into an 8–5 lead.

The game turned cagey as both teams wrestled for control in the midfield.

With possession as the ultimate dictator, neither side was willing to yield.

But a yellow card to Kenya’s Griffin Chao for a cynical infringement handed the Sables a numerical advantage, tilting momentum ever so slightly in their favour.

Kenya clawed back with a penalty to make it 8–8, but it was Zimbabwean skipper Hilton Mudariki who reasserted dominance.

Exploiting the narrowest of gaps after a series of disciplined mauls, he dotted down to reclaim the lead.

Yet, the Kenyans were like cornered lions—dangerous and unyielding—and answered with a try of their own, dragging the score to 13–11 in Zimbabwe’s favour.

Tapiwa Mafura continued to mesmerise with his evasive running, carving crucial yards, though Prior’s radar momentarily faltered as he missed a penalty in front of the sticks.

That lapse would cost them—Kenya struck on the counter following a defensive lapse, scoring a converted try to take an 18–13 lead into halftime.

The second half resumed with thunderous energy. Victor Mupunga, patched up from a blood injury, returned to the front row with renewed grit.

The back-and-forth continued as Bornwell Gwinji, replacing Cleopas Kundiona, surged through with power carries.

Meanwhile, the midfield remained firmly under Zimbabwean control, as Mudzekenyedzi and Kudzai Mashawi kept the Kenyan backs on their heels.

Aiden Burnett, absent in the quarterfinals, made his presence known.

Substituted in for Jason Fraser, Burnett pounced with fury, scoring beside the posts after a powerful driving effort from the forwards.

Prior converted with ease, and the Sables were back in front, 20–18.

The closing stages became a tactical and mental war. Prior extended the lead with a deftly taken drop goal—calm, clinical, composed—putting Zimbabwe 23–18 ahead. But the Kenyans refused to fade, roaring back in search of possession and territory.

When a penalty was awarded in the 75th minute, Prior stepped up with ice in his veins and struck from outside the 22-yard line, stretching the lead to 26–18. Kenya, needing both a try and a penalty in the final five minutes, threw everything forward.

But it was Prior once more, the calm amidst the storm, who delivered the death knell—a long-range, acute-angle penalty that took the score to 29–18.

Though Kenya would sneak in a consolation score, the deed had been done. The Sables held firm, the final whistle was blown, and the cacophony of Kenyan vuvuzelas fell to a hush.

Instead, it was the Ugandan and Zimbabwean voices that rent the air, bursting into celebratory chorus as the Sables formed a victorious huddle under the Kampala sun.

The man of the match was none other than Tinotenda Mavesera, whose relentless graft and physical dominance set the tone for Zimbabwe’s forwards.

“Ndezva Mwari—it’s all about God,” Mavesera said, his brow still glistening with effort as he waded through a second scrum, this one of reporters clamouring for a word.

“Thank God the boys came through, this was for our nation and the people back home. This means everything to us and it is a privilege for each of us to do this thing we all love. I’m happy we stuck to our plan and believed in it.”

Zimbabwe now march on to face Namibia in what promises to be a clash of giants, with a ticket to the 2027 Rugby World Cup hanging in the balance.

But for now, they will savour a performance that was both beautiful and brutal—an ode to courage, discipline, and the undying spirit of the green-and-white hoops.

Nasty C’s Ivyson Tour Officially Launches Across Africa

After shows in Johannesburg and Cape Town, Nasty C has officially launched the 7th edition of the Ivyson Tour, its first pan-African iteration – with the plan to bring the tour to cities across the continent.

 

Starting Friday, July 11, fans can head to TOORLY, the world’s first fan-driven global live events platform, to request the Ivyson Tour to their city.

But fan input doesn’t end there – Nasty C is also letting his fans shape the show by suggesting special guest performers and local support acts, and requesting Ivyson Gaming to be part of their city’s tour experience.

“I get booked at shows across Africa all the time, but now it’s time to bring the full Ivyson experience to the continent. The Ivyson Tour is my baby, that’s where I bring out all my toys”, Nasty C shared.

Fans that already requested during the Qualifier round that went live earlier this year can update their Request to suggest artists and gaming.

Named in tribute to his late mother Ivy—hence the name “Ivy’s Son”—the Ivyson Tour is Nasty C’s platform for an intimate connection with his fans.

Different from regular bookings, he performs songs on the tour that “are not necessarily singles, songs that I hold close to my chest, and that the fans really love and relate to,” Nasty C explained.

The fan-driven concept is part of a bold new direction for the Ivyson Tour in 2025, and the artist’s team and TOORLY worked together closely for many months to bring Nasty C’s vision to life.

For the first time ever, fans have the opportunity to co-create the tour routing and give their input on where the tour should land.

Some unexpected potential tour stops have already emerged, Freetown in Sierra Leone being one of them – but also places way closer to home, such as Potchefstroom and East London that both rank in the Top 5 most requested cities.

The Qualifier Round 1 process began in March, when fans were first invited to request Nasty C to their city on TOORLY, sparking fierce competition across over 40 cities.

Harare, which hit over 200 requests in Round 1, made it into Round 2, bringing the Ivyson Tour one step closer to making a stop in Zimbabwe.

Other cities officially included in Round 2 are Abuja, Bloemfontein, Durban, East London, Freetown, Gaborone, Lusaka, Mbabane, Potchefstroom, Pretoria, the Vaal and Windhoek. Any African city, including Bulawayo, can still qualify for the tour if fans really put their weight behind it.

Zimbabwean Ivysons can Request the Ivyson Tour to Harare or Bulawayo on TOORLY and get one step closer to turning the dream into reality.

Marist Brothers crowned 2025 Old Mutual Schools Quiz Champions

Marist Brothers High School from Nyanga, Manicaland, have been crowned the 2025 Old Mutual Schools Quiz national champions.

 

The victory marks an incredible fourth title for the school. Marist Nyanga’s championship comes as the quiz competition marks its 42nd anniversary.

The Old Mutual Schools Quiz is run in collaboration with the Books of African Records.

The highly successful partnership between the two infuses the quiz with a blend of financial literacy, Pan-Africanism, curriculum-based training, and general knowledge.

The first runners-up in the 2025 Old Mutual High Schools Quiz were St Anthony’s from Masvingo, followed by Pamushana from the same province, and Fletcher from Midlands.

The guest of honour, the Honourable Minister of Skills Audit and Development, Professor Paul Mavima, handed out the prizes and congratulated the winners together with Old Mutual Zimbabwe Chief Executive Officer, Mr Sam Matsekete.

Also present was the Chief Executive Officer of the Institute of African Knowledge (INSTAK), Ambassador Kwame Muzawazi.

INSTAK are the publishers of the Book of African Records, who partner Old Mutual in the Schools Quiz.

Old Mutual Zimbabwe invested a total of US$16,000 for the winners. Marist Brothers took home five (5) laptops and US$7,000.

St Anthony’s won five (5) laptops and US$5,000; Pamushana got three (3) laptops and US$3,000; while Fletcher was awarded a laptop and US$1,000.

This year, Old Mutual decided to prioritise cash prizes rather than offering awards such as solar systems, emphasising that it should be up to the schools to decide what their own priorities were.