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The Story Behind Hip Hop Drum Beats

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Nowadays hip hop is more than just drum beats, producers also use baselines and melodies in order to make beats. But it all started with the drums, for which hip hop music is known the most. Disc jockeys used to sample and isolate drums from music tracks, mostly from soul and funk music, to make their own, new sound. This was popular in the 80’s, when people gathered together on block parties and used to dance on these new drum beats. Later on, the Djs started to scratch, put instrument sounds and vocals on their beats. The result was a new music genre named hip hop.

The hip hop music went through a lot of changes, but the drums are still the heart of this genre. Even big producers still work with drum machines and MPCs, like Kanye West for example. And the result is very tumblr_nmeeigkZAe1upkbyuo1_1280-as-Smart-Object-1good! It’s really amazing how something that simple can become and stay so popular and move so many people all around the globe! Now, rap artists come from everywhere, Germany, Russia or Japan…

Some people say hip hop is dead, or is going to die out soon. But I don’t think this is true. It has become an integral part of the music industry and it will be that way. Every year new hip hop artists come on the scene, and they are as successful as the artists in every other genre. If you are fascinated about music, like me, and especially about hip hop, you want to be part of this movement!

Either you are a rapper, singer, producer or you want to do it all yourself, there’s no better time to start making your own music than now! If you are rapping or singing, you need to practice, so you have your own style, and that’s the most important part. Start with freestyling over different instrumental beats, and then, when you’re ready to make your own song, look for beat selling pages, let’s take
beats4tracks.com as an example, here you can listen to samples and buy the instrumentals for an accordingly low price. If you want to produce your own beats, you should look for a good and easy to use beat making software, DUBturbo or Fruity Loops for example. You might want to read my other articles on how to make your own beats.

Just try it out! Get yourself a free demo or software if you’re not sure about paying money for a product, there’s plenty good software out there. Feel the vibe and let it inspire you, it’s really fun!

 

Artist Managers New Role Is Business Development

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If you happen to be somebody working out a music career, Artist Management or Artist manager are not unfamiliar words to you.

In fact, it’s probably not far-fetched for you to be toying with the idea of seeking the services of an artist manager. The real good artist managers have impressive track records that include successes of now famous and rich names. You should know though, that artist managers’ role has evolved into one that now involves business development.

 

The New Role Of The Artist Manager

diddy4-640x448Like most things in the music industry, the artist manager’s role is quickly changing. The good old days had him mostly concerned with helping the fledgling artists, singers, songwriters or bands with whom he works, to secure a good record deal and then after the deal is finalized and is active, to serve as liaison between his artist and the label.

This sounds simple enough, but it’s not. Of course it’s an oversimplification. It’s no picnic getting the artists a record deal nor working with a label. This was, however the real essence of an artist manager’s role, at least for a large majority of them.

Today, that has changed. Their key role is different. They’re no longer concerned with getting the artists under their wings signed. Instead, they now should be concerned with developing and creating value for their artists and bands, as in “business development.”

While they continue to view their artists and bands as something for which they must build brand equity, such brand equity is not so much for leveraging it into a record deal, but leveraging it to create direct revenue units and build strategic partnerships where he again creates exposure and impact, (thus enhancing the brand equity) and revenues.

All that time spent mailing things and items out to people at the labels outfits, those meetings with the A&R people and all those hours spent fighting and arguing about marketing budgets and promotions and everything else, must now be concentrated on “business development”

The thing is … most artist managers are not fully prepared for business development. They’ve got no proper business training and through no fault of theirs will probably move about unsure, in a market where those without the requisite skills are punished. Some of these guys won’t make it. Some will be smart enough to learn the business fundamentals and will change the paradigm.

If you’re into pursuing your music career, as a singer or member of a band or a songwriter- composer, it would be good for you to understand this evolving role of an artist manager. Before you wind up with one, make sure he/she is coming from a reputable, results-oriented outfit that knows what’s happening with artist management.

 

Skaiva and JoyRukanza’s Hit ‘Shingirira’ Dominates Radio Airwaves 

In the current vibrant music scene, a new song has emerged to captivate listeners and take over the airwaves.

 

Skaiva and JoyRukanza’s collaboration, “Shingirira,” has become a sensational hit, gaining immense popularity on prominent radio stations like ZiFm and Sky’s Metro FM.

With its infectious beats and soul-stirring lyrics, “Shingirira” has struck a chord with audiences across the nation. The fusion of JoyRukanza’s powerful vocals and Skaiva’s dynamic production has given birth to a track that transcends musical boundaries.

The fusion of the two artists has given the song a unique and refreshing sound, appealing to a wide range of music lovers.

Radio stations quickly recognized the magic of “Shingirira” and embraced it wholeheartedly. The song’s infectious rhythm compels listeners to move their bodies, making it a favourite choice for radio DJs to keep their audience grooving.

“Shingirira” has swiftly climbed the charts, earning its spot among the most requested songs, and it shows no signs of slowing down.

ZiFm and Sky’s Metro FM, two of the most influential radio stations in the country, have been instrumental in propelling the song to its current heights of success. Their commitment to supporting local talent has given “Shingirira” the perfect platform to shine.

Through continuous airplay and engaging interviews with the artists, the stations have further endeared the song to their listeners.

Beyond its catchy melody, “Shingirira” a mix of Shona and English carries a message of hope and perseverance in love.

This uplifting theme has struck a chord with the Zimbabwean audience, as love matters are always at the core of our existence.

JoyRukanza and Skaiva’s dedication to their craft is evident in every note of “Shingirira.”

Their passion for creating meaningful music resonates with fans, fostering a deep connection that extends beyond the song itself.

Its infectious beats, empowering lyrics, and the exceptional collaboration between these talented artists have solidified its place as one of the most beloved songs of the year.

From Backing Vocalist to Jazz Diva: Clare Nyakujara’s Musical Journey Shines Bright

In the vibrant music landscape of Zimbabwe, jazz is capturing the hearts of music enthusiasts, evident from the multitude of jazz gigs scattered throughout the city.

 

Among the rising stars in the local jazz scene is Clare Nyakujara, whose debut album ‘Haudi Nei’ released in 2011 caused a sensation.

From the moment ‘Haudi Nei’ hit the airwaves, it became an instant favourite among listeners. Major radio stations like Spot FM and Power FM embraced the album, showering it with extensive airplay.

The lead single, also titled ‘Haudi Nei,’ secured the number one spot on Power FM’s urban music chart for an impressive four weeks.

The album’s undeniable impact on the Zimbabwean music scene did not go unnoticed. In a remarkable achievement, ‘Haudi Nei’ was crowned the Best Jazz Album at the prestigious 2012 ZIMA Awards, further cementing Clare Nyakujara’s status as a rising jazz star.

Clare’s journey as a musician traces back to her early days as a backing vocalist for Dumi Ngulume from 2001 to 2003.

She honed her skills and gained valuable experience during this period, which set a solid foundation for her future endeavours. In 2004, she joined Mateo and Friends before embarking on a five-year stint with the renowned artist Willom Tight.

Notably, Clare also lent her talents as a backing vocalist for Dino Mudondo before stepping into the limelight as the frontwoman of ‘The Other Four’ band until 2010. Her rich musical background and diverse collaborations contributed to her unique style and artistry, which resonated with audiences.

Building on the success of her debut album, Clare Nyakujara has now released her highly anticipated follow-up project, titled ‘Unleashed.’

The album has already gained considerable attention and is enjoying frequent airplay on various radio stations. With the momentum from her debut and the promising reception of her new release, Clare’s musical journey seems poised for continued success.

As Zimbabwe embraces for more Jazz Festivals as an annual celebration of local talent, it becomes evident that jazz music is taking centre stage.

Clare Nyakujara, with her exceptional talent, has emerged as a shining star in this flourishing jazz scene.

Her debut album, ‘Haudi Nei,’ and her current release, ‘Unleashed,’ are testaments to her undeniable musical prowess, securing her place as one of Zimbabwe’s most promising jazz artists.

DJ Rimo Spinning with the Stars

Revered entertainer DJ Rimo is known for his A-Lister performances, winning and dining with the famous whilst providing them with great vibes.

For him, the gift of deejaying has come with some unforgettable experiences yet he reaming humble about being up and close to the planet’s most famous celebrities.

Hot on the heels of his impressive gig at the Sean Kingston show in April where he potentially saved a disastrous evening into a memorable one after a poor performance by the main act Sean Kingston, he was onto something equally big.

DJ Rimo and Sean Kingston

In May DJ Rimo played at the Zarfest festival which marked the first anniversary of a South African entertainment company called Zar Empire.

the gig featured American hip-hop stars Lil Kim and Fat Joe together with Rnb goddess Ciara at the Borrowdale Race Course in Harare.

“Playing at such prestigious events is both an honour and a milestone for my career,” said DJ Rimo.

“In the art of deejaying you never stop learning and performing for a different audience like this you can always learn a few things that you can improve on to keep on delivering what the people expect,” said a humble DJ Rimo.

DJ Rimo with Lil Kim

After the ZarFest showing, we heard through the grapevine that the American artists invited DJ Rimo backstage, exchanged pleasantries and had a few photo moments.

“Well we had a brief chat, they loved my selections and we took some pictures too,” he confirmed.

Bennie Man charmed by the kills of spinner DJ Rimo

Once Dj Rimo took to the decks at the private after-party hosted for Jamaican star Beenie man, his energy radiated in the room.

His track selection, pacing, and craft caught the eye of the dancehall king who was visibly impressed and could not stop vibing to DJ Rimo’s creativity.

He started off by playing a mix of Dancehall and Hip Hop tunes, before moving on to some classic Reggae tunes.

DJ Rimo (centre) flanked by Brick and Lace

Beenie Man praised his mixing skills and ability to blend different genres of music seamlessly.

The DJ who also played at the two high-profile gigs involving Brick and Lace in August, Akon and Sean Paul in September sure knows how to blend and create a unique and exciting sound.

DJ Rimo and Sean Paul

DJ Rimo has the ability to capture the crowd’s attention and enthusiasm with his creative mixing and selection of music, a quality which has endeared him with many people.