‘The Champions League Breakfast Show’ hosted by Pathisani Sibanda and Tinashe Chikuse is coming to Capitalk 100.4FM.
The Harare radio station made the announcement that the duo will be bringing their expertise and experience to the show from May 1st, which promises to be exciting and engaging.
“We are delighted to welcome Pathisani and Tinashe to the Capitalk 100.4FM family,” said Nyaradzo Makombe, Capitalk 100.4FM’s Station Manager.
“They are both experienced broadcasters who are passionate about their work, and we are confident that our listeners will enjoy their unique style and engaging approach to breakfast radio.”
Listeners can look forward to the ‘Champions Drive’ where the hosts appreciate listeners in Staff Buses and the ‘Music and Diaspora Call’ segment where they call people in the diaspora and surprise them with a message from loved ones here in Zimbabwe.
“We are excited to be joining Capitalk 100.4FM and to have the opportunity to connect with a new audience,” said Pathisani Sibanda.
“We are looking forward to bringing our energy and enthusiasm to the breakfast show, and we can’t wait to get started.”
Tinashe Chikuse added, “We are thrilled to be a part of such a respected and dynamic radio station. We are committed to delivering high-quality programming that will keep our listeners informed, entertained, and engaged.”
The arrival of Pathisani and Tinashe as the new breakfast show hosts is just one of the exciting changes taking place at the station.
Capitalk 100.4FM has also recently added Becky K and Yvonne Tivatye to its roster of presenters.
Becky K hosts ‘The Pulse’ show from 12 noon to 3 pm, while Yvonne Tivatye joins the station as chief producer.
Yvonne will continue to host her popular Sunday show The Gospel Greats on Star FM, which is now syndicated to Capitalk 100.4FM. She will also take up ‘The Pulse’ slot on Fridays.
Listeners can expect high-quality programming that will keep them informed, entertained, and engaged.
The station is committed to providing the most credible news, sports, business analysis, entertainment, and current affairs in the country.
Capitalk 100.4FM is re-introducing the station to Harare audiences, and the new programming lineup reflects their commitment to connect with their listeners in new and exciting ways.
Tune in to Capitalk 100.4FM from May 1st, 2023, and catch the new breakfast show hosts in action.
Zimbabwean artist Nutty O has just released his latest single titled “Makanonoka,” and it’s been creating a buzz in the music industry.
In a recent interview, Nutty O shared some insights into his creative direction and trajectory.
When asked about his inspiration behind the Amapiano and Afrobeat fusion sound of his new single, Nutty O said, “Makanonoka is the distillation of the modern sound from Zimbabwe. There is a big Zimbabwean community in South Africa, so naturally Amapiano filters through.
“Further North, there’s a big Zimbabwean community in the UK, who interact in the same communities as Nigerians, Ghanaians and Jamaicans, all those influences filter through to what the modern Zimbabwean sound is. Together with our own history, sounds and culture, Makanonoka is the epitome of modern Zimbabwean sound to the world.”
Nutty O’s previous album, “Mustard Seed,” was a massive success, and he plans to build on that with his upcoming album.
“If anyone thinks we stopped with the Mustard Seed album, then for sure Makanonoka (you’re late). Higher is the only road, there are still many milestones and bigger things to come,” he said.
As an artist, Nutty O has experimented with various genres of music. When asked about the direction he sees his music going in the future, he said, “To extend ability, as the Xtention Daddy, towards the extraordinary, an artist must always test the limits of sound.
“It’s not about genre, it’s about a powerful channel through which feelings, dreams, and living beyond the mediocre can be expressed.”
Nutty O’s new single “Makanonoka” is a perfect representation of the modern Zimbabwean sound, and it’s clear that his creative direction and trajectory are moving towards greater heights.
Fans are eagerly anticipating his upcoming album and can’t wait to hear more great music from this talented artist.
Morgan Heritage’s latest studio album, The Homeland, has made an impressive debut at #1 on the US iTunes World Music Albums chart.
The reggae group, consisting of Peetah Morgan, Gramps Morgan, and Mr. Mojo Morgan, who are all children of the late reggae legend and Father of A Nation, the Hon. Ras Denroy Morgan, can now add this success to their collection of 3 Grammy awards.
Slated as 2023s must hear world music project, the 21-track collection marks a new era for Morgan Heritage as they expand their global reach from the Caribbean to the African Continent and beyond.
With the aim of bridging their parents’ home of Jamaica to their ancestral homeland of Africa, Morgan Heritage brought together the biggest names across caribbean and African music, including: Shaggy, Beenie Man, Popcaan, Shatta Wale, Ice Queen Cleo, Youssou N’Dour, Mádé Kuti, Alpha Blondy, Otile Brown, Eddy Kenzo, Busy Signal, Capleton and more.
The Homeland is a project of rebirth for the Morgan brothers, built upon a lineage that has lasted decades and one that will continue to forge forward. Musically, they take the listener on a journey that not only reminds them of days past, but the future ahead.
Take a listen to the albums “infectiously upbeat” (Brooklyn Vegan) lead single “Who Deh Like U” feat Bounty Killer, Cham & Stonebwoy, which debuted at #1 on the US iTunes Afro-Beat chart.
Morgan Heritage joined GRAMMY Museum (at L.A. Live) last month as guests for The Drop Series, hosting an intimate conversation about their career, creative process, and their new album.
This kicked off the culturally-iconic band’s global promotional tour, with planned stops in Los Angeles, New York, England, Germany, France, Uganda and Ghana.
The Homeland Tracklisting
Bambulele ft. Brothers & Sisters Art Organization
Can U Feel It ft. Gentleman & Rophnan
I’ll Be There ft. Busy Signal * Mádé Kuti
U Got To (See The World) ft. S’Villa & Eddy Kenzo
Diamond Love ft. Popcaan & Mr Killa
The Homeland ft. Youssou N’Dour
Positive ft. Shaggy & Beenie Man
Direct Contact ft. Floda Graé
Just A Number
Ready ft. Shatta Wale, J Chameleon & RJ the DJ
Heaven ft. Krissy Yamagucci & Fayross
Who Deh Like U ft.Bounty Killer, Cham, & Stonebwoy
Headline Fi Front Page ft. Jahshii, Rytikal, & I-Octane
Wacha Nikupende ft. Otile Brown
Maria ft. Jah Prayzah
Levels ft. Macky 2 & Ice Queen Cleo
They Gonna Be Alright
Remember ft. Alpha Blondy & Capleton
Afreeca The Future ft. Lord Alajiman & Rocky Dawuni
I Will Never Forget ft. Raiah, Esh Morgan & Jemere Morgan
Long To Be Home ft. Eddy Kenzo
Show Dates
May 04, 2023 New Orleans, LA Jazz & Heritage Festival
May 06, 2023 Las Vegas, NV Reggae In The Desert
May 12, 2023 Cayman Islands Lover’s Rock Cayman 2023
On April 18th 2023, Zimbabwe Celebrated its 43rd day of Independence. To mark the occasion Apple Music has prepared a special page acknowledging some of the best Zimbabwean albums to be released since the African nation gained its liberation.
The page is visible to all Zimbabwean subscribers on the service as of today (April 21).
The streaming platform which boasts almost 80 million subscribers also featured a mix from Zimbabwean DJ HALU! on their exclusive DJ Mix platform as their mix of the week.
The list of albums was curated by Phil Chard from Point Black, Danis Dube aka DannyThatGuy of ZiFM Stereo, Ranga Mberi from Sungura Central, music journalist Tafadzwa Madzika, former editor Henry Makiwa and lawyer, creative and music nerd, Bheki Ncube.
“We’re all very grateful to Apple Music for recognising Zimbabwean Music and celebrating our independence along with all the Zimbabweans at home and the diaspora. We have an incredibly rich and beautiful musical history that the world should hear.
“One frustration was that not all of the music we would like to feature is available on the platform. Hopefully, we can work with the artists to help get their music online soon,” said Chard
The list of albums features music that spans generations and genres. Oliver Mtukudzi, Chiwoniso, Winky D, Jah Prayzah, Killer T, Nutty O, Synik, Leonard Dembo, Sanii Makhalima, Gemma Griffiths, Hillzy, Freeman, Holy 10 and many more are all featured with some of their most impactful albums.
It could be safe to say that the long-awaited traditional rugby festival, the Prince Edward School Festival, has died a slow and painful death.
After hope was gathered to the effect that the festival was to finally happen after the Covid-19 halt, a press statement from the head Dr Agrippa Sora circulated on Monday stating how the biggest schools rugby jamboree was not going to take place bringing the halt to close to half a decade.
Maybe the festival is all but done.
Dr Sora said, “It is with deep regret that we inform the nation and all rugby lovers that the PE rugby festival 2023 edition has been cancelled.
“We would like to apologise to all stakeholders for the stance taken but we promise to uphold the development of rugby in the country and promise to come back stronger and better come 2024 and beyond.”
The Promise
The promise “to come back stronger and better” in 2024 is kind of absurd really to most rugby enthusiasts as the wait has just been too long.
Some will argue that sport was halted by the Sports and Recreation Commission (SRC) during the Covid pandemic but then again it was during the same that Derby was birthed. It seems as if the trajectory under Dr Sora is somewhat regressive and here are the reasons why:
For supposed sponsors, (an old boy and a major soft drink firm), to have pulled out at the last minute from the most sought-after school rugby festival in the country shows gross incompetence.
First to pull out was Dairibord and maybe it would have been better to remain silent rather than give hope on the shame that has become this festival.
The other reason why there is regression is the general maintenance of the grounds. Right now the Jubilee rugby field has been overused with many cricket matches being played on that pitch.
The general argument would be cricket has always been played there but the extent to which it is being done is just a little overboard.
Right now there is the Stragglers Cricket Week going on at PE and one would see primary school children playing in the fields.
Even if the festival was to go ahead, would the pitches be in good shape? It would seem justified that St George’s and Peterhouse or any other school refuses to come and play PE at home because of the state of the grounds.
They get appalling sometimes.
Another thing is the camps at the school are just too many. The Netball team is camping there, Simba trains there and the national rugby teams also camped there.
It seems as if everything that the school stood for is just crumbling right under Dr Sora’s watch.
Even parents have not been impressed with what has been going on at the school and certainly changes ought to be seen sooner rather than later because the mess is just too much especially when it comes to rugby.
Implications to other schools
Imagine how this huge festival’s absence will further impact young players’ school careers. Cancellation of this year’s event means that certain players have gone from Form 1-4 without playing rugby.
Face it, most schools that play at the festival find it hard to fulfil weekly fixtures which means their only hope is the festival.
For PE and Churchill, they will not feel the heat because they will participate in the Derby Day and will fulfil their fixtures.
But for the tier 2 and 3 schools, their rugby season is shattered. Maybe another school like Kutama, Mutare Boys or St Ignatius would take responsibility and start yet another festival.
Also, maybe, this is a serious maybe, the NASH heads will take seriously the season fixtures and take rugby as seriously as they treat soccer.
There are quite a number of hypotheticals mentioned but it is hoped that sanity is brought back to Prince Edward or another school organised enough to host takes up the responsibility.
Maybe we will have Derby Day and a wishful Murehwa High Rugby Festival some year.
File picture credit: Prince Edward School Facebook
Jordan MoOzy’s latest single “Chasing Dollar” is an artistic reimagining of the hustler’s anthem song.
A motivational and aspirational mantra layered with a cacophony of sounds. Jordan MoOzy rides effortlessly over a mid-tempo production accentuated by rhythmic percussion as he reminds us of his priorities, “Drink water mind my business, love my neighbour, fitness, Chasing dollar”
The song is a hybrid of High Life, Afrobeats and Pop that displays Jordan’s musical dexterity and talents as he merges varied sounds and effortlessly delivers harmonies and raps that switch between English and Setswana.
Chasing Dollars is Jordan’s first release after his critically acclaimed De’Grace EP of 2022 and his first release under Point Black Entertainment.
‘Chasing Dollar’ is not just a song, it is a mantra.
“One cloudy day in December of 2022, KD Bangers played me the beat for what is now known as Chasing Dollar.
As I played around with words, style, and rhythm, the chorus organically formed with a feel of a mantra. We played back the recording over and over again, and the hook stuck like a nursery rhyme.
Chasing Dollar transcends beyond material manifestation. It is first a belief system, that wealth and success are our birthrights.
Secondly, it is a mindset that calls on you to rise and chase your dreams. Many of us have buried our dreams and we are walking around with their graveyards within us. Lastly, it is a legacy.
When we chase our dreams and follow what’s in our hearts, we inevitably inspire those around us to do the same, thus spreading more light into the world. We leave behind a blueprint of self-actualization for the next generation.
So, as you take that sip of water; sit down to write that proposal; as you greet your neighbour; lift that weight at the gym; and count your stack at the end of the business day – this is the song I wrote to remind you why you do what you do.” – Jordan Moozy
Everton Mlalazi, a renowned gospel musician from Zimbabwe, has been making waves in the music industry with his unique sound that blends traditional African rhythms with contemporary gospel music.
His latest album 10-track album, “In the Presence 2: God’s Grace,” has been receiving widespread acclaim for its powerful lyrics, soul-stirring melodies, and refreshing approach to gospel music.
Mlalazi’s music is a fusion of various musical influences, including his African heritage, his Christian faith, and his personal experiences.
Combined with his soulful vocals and heartfelt lyrics, Mlalazi’s music resonates with listeners on a deep emotional level, transcending cultural and linguistic barriers.
“In the Presence 2: God’s Grace,” the sequel to Mlalazi’s previous album In His Presence Vol. 1, continues to showcase his unique musical style.
The album features a diverse range of songs, from upbeat and celebratory tracks that inspire dancing and rejoicing, to heartfelt ballads that touch the soul.
The album’s overarching theme is God’s grace, and Mlalazi’s lyrics convey messages of hope, faith, and gratitude, reminding listeners of the unconditional love and mercy of God.
One of the standout tracks on the album is a collaboration with Ladysmith Black Mambazo, “Nomakunje.” The song shows Mlalazi’s signature blend of African rhythms, soaring vocals, and powerful lyrics that proclaim the grace of God in the face of challenges and struggles.
The song’s infectious melody and uplifting message have struck a chord with listeners and have been topping the radio gospel charts.
His lyrics are filled with biblical references, personal testimonies, and messages of hope, resilience, and encouragement.
“In the Presence 2: God’s Grace” is not only a testament to Mlalazi’s musical talent but also his unwavering faith and dedication to his craft.
He has redefined gospel music with his unique sound, blending cultural elements with contemporary gospel music to create a style that is distinctly his own.
Zimbabwe is buzzing with excitement as Minister GUC, the Nigerian gospel star, lands in anticipation of his maiden show in the country.
Scheduled on Zimbabwe’s Independence Day, April 18th, at the Belgravia Sports Club, the concert is themed ‘The Heroes of Faith’ and is already the talk of the town.
Minister GUC, known for his powerful and anointed worship songs, can hardly contain his enthusiasm upon his arrival at the airport. “I am truly honoured and humbled to be here in Zimbabwe,” he exclaims.
“I am looking forward to ministering to the people through my music and spreading the message of hope, love, and faith. I am ready to rock the stage and give my all in this performance!”
The music promoter, Set Up Events, has been working tirelessly to ensure that the concert is a resounding success. Rudo Magwenzi, the PR Manager for Set Up Events, shares her excitement about the preparations, saying:
“We are thrilled to be hosting Minister GUC in Zimbabwe. We have left no stone unturned in creating an unforgettable experience for gospel music lovers in Zimbabwe, from stage setup to sound production.”
With gospel music enthusiasts eagerly anticipating Minister GUC’s touching performances, his maiden show in Zimbabwe promises to be a powerful and uplifting event.
The concert is expected to draw a large audience from across Zimbabwe and neighbouring countries, all eager to experience Minister GUC’s anointed worship firsthand.
Zimbabwe Cricket (ZC), in association with T Ten Global Sports, has unveiled the country’s eagerly awaited franchise-based T10 tournament that is aiming to feature cricket stars from across the world.
The inaugural edition of the new competition, known as the Zim Afro T10, will be played in August this year, with six privately owned teams involved.
The participating franchises, player auction dates, fixtures nd other details will be announced in due course.
This is the latest T10 tournament to be established by T Ten Global Sports, the same company behind the Abu Dhabi T10 in the United Arab Emirates (UAE) and the Lanka 10 in Sri Lanka.
ZC Chairman Tavengwa Mukuhlani said he was confident the league will provide great entertainment for the fans, top-level competition for the players and vast exposure for the investors.
“We are thrilled to unveil our own franchise-based T10 league, a powerful format that we believe is exactly what our changing, fast-paced world needs right now,” Mr Mukuhlani said.
“We are confident the Zim Afro T10 league will excite a global fan base, create massive mileage for its commercial partners and, more importantly, propel our cricket forward and lay a positive roadmap for how the game is perceived for future generations.”
T Ten Global Sports Founder and Chairman Mr Nawab Shaji Ul Mulk – the UAE-based investor behind the state-of-the-art Zim Cyber-City real estate project that is being developed in Mount Hampden on the outskirts of Harare – said he was excited to be bringing the magic of T10 cricket to Zimbabwe.
“As our association with cricket continues to grow, we are delighted to bring to Zimbabwe an exciting format that will not only advance the reach, attractiveness and growth of the sport, but will also present a massive opportunity for private investment into the franchises,” Mr Mulk said.
“We wish to thank Zimbabwe Cricket for accepting our proposal to invest in this game-changer and we are looking forward to an incredible journey together.”
The Zim Afro T10 launch was announced at a media conference addressed by Mr Mulk alongside ZC Managing Director Givemore Makoni and Zim Cyber-City Chief Executive Officer Tendayi Hlupo-Mamvura in Harare on Friday afternoon.
This was followed by a gala dinner to officially unveil the tournament, with government ministers, company executives, diplomats and international cricketers being among the guests.
Africa faces a reckoning when it comes to its relationship with digital technology.
Challenges related to infrastructure rollout and the high cost of data mean it’s difficult for enterprises and institutions to adopt new solutions that can transform their activities and functions, as well as uplift the continent.
By Vincent Maher, Group Executive: Head of Digital at MultiChoice Group
But for many businesses, transformation can also mean disruption. Are all companies built to withstand or accommodate these changing times?
By understanding what transformation implies and adopting the right mindset, businesses can embrace digital disruption in a meaningful way.
Don’t be afraid of change
Businesses should be excited about the prospect of digital disruption. For traditional brick-and-mortar organisations, it represents a shift in consumer needs and lays the foundations for a tech-driven, digital economy.
Organisations disregard this at their peril. We have witnessed the consequences of businesses ignoring, intentionally or otherwise, current trends, failing to meet the shifting needs of their customers, and subsequently being made redundant or undercut by competitors.
Digital disruption is not a one-time phenomenon companies need to be constantly on the lookout for the challenges and opportunities it brings.
Decades ago, satellite TV transformed Africa, changing the media and broadcast landscape and bringing audiences across the continent together.
Today, over-the-top (OTT) and on-demand streaming services are fast becoming the most popular way for audiences to engage with and consume content. Case in point, subscription video-on-demand (SVoD) subscriptions in Africa are forecasted to reach 13.72 million by 2027.
Africa’s financial services sector is another excellent example of digital disruption transforming an industry. Fintech on the continent is flourishing, with customers using mobile digital banking platforms to make online payments and transactions.
The industry’s success is the result of acknowledging customer circumstances and using new technology to meet their needs – a critical component of Africa’s overall digital transformation journey.
Vincent Maher, Group Executive: Head of Digital at MultiChoice Group
Go where your customers are
As Africa becomes more connected, more of its citizens are participating in the global digital economy. That means they are growing accustomed to a global experience, and African enterprises must offer that same experience.
Digital disruption reveals new opportunities to cater to that experience and streamline business functions.
Let’s say you transition your business away from traditional practices such as call centres, and replace them with digital services like mobile apps and digital communication portals.
This transition helps you unlock new benefits while responding to new customer trends. A customer doesn’t need to make a phone call during working hours and spend time walking through processes with a company representative.
Instead, they can do everything themselves 24/7, from checking their balances and making payments to reconnecting services and upgrading to new ones.
And this doesn’t have to be limited to a single platform. Whether you’re using an instant messaging app like WhatsApp or Telegram, USSD, or web applications, businesses should adopt a multi-platform approach and use those that are popular among their customers.
Be open to innovation
Industrial revolutions can’t happen if we sit on our hands and do nothing. Across Africa, start-ups and established enterprises are experimenting with how emerging technologies can be leveraged to meet newfound and longstanding business needs.
We see this in the different technologies that are starting to grab hold. For example, artificial intelligence (AI) has a more active role in business operations, manifesting in different ways (often on the backend, away from consumer visibility).
AI and automated processes allow people to focus on more important work. By not having to worry about mechanical, repetitive tasks, you can free up personnel and resources for other projects and initiatives.
AI is a tool that saves you time and money by letting you think strategically rather than primarily about what’s happening at an execution level.
AI also offers valuable insight into your data, such as modelling customer behaviour and purchase trends.
We are also beginning to see blockchain technology make its way into local business activity. Companies are integrating digital collectables into marketing campaigns, one of several useful applications that I’m sure we will see more of.
As the demand for blockchain developers rises in Africa, the technology will usher in the next generation of digital disruption.
Ultimately, that’s what it’s all about. We cannot ignore these new developments and continue with business as usual.
By leaning into digital disruption and rethinking customer engagement and digital development strategies, we can and should be using new technologies to their full potential to transform Africa’s business landscape.
