Friday, July 4, 2025
spot_imgspot_img
Home Blog Page 91

Pusha Maworks Workshop: A Project Promotions Campaigning Guide For Artists & Managers

The Southern African Music Movement (SAMM) will on August 16 hold a workshop for artist and managers under the banner Pusha Maworks Workshop.

The workshop aims at equipping artists and their management teams as well as other creatives with branding skills as well as techniques for successful promoting of their work.

“Owing to overwhelming feedback from artists and artist managers who frequently request us to assist them in ‘pushing’ their projects (singles, videos, albums, shows e.t.c) we have decided to solve the problem at the basic level through a workshop that will transfer as much of these skills we have for the good of many and to whom it shall bear significance,” said SAMM Co-founder Byron Kabaira

The Pusha Maworks initiative is a currently ongoing concern having come to life at the close of July where SAMM began inviting artists and various stakeholders namely corporates, members of the public, management teams, and all other creativepreneurs.

The organisers said as soon as an artist signs up for the workshop they will immediately engage them, first with a brainstorming chat session where they establish the brand status quo as well as brand goals if any.

“This is followed by a practical administration of the proposed skills we seek to share. On the day of the workshop we will basically make a presentation which explains the procedures we would have practically demonstrated in the period between now and the workshop date as well as other key branding tips and industry general hints,” added SAMM Co-founder Diana Elisha Nheera.

“While many artists manage to come up with awesome creations it still remains a huge challenge for them to successfully promote these projects in a way that elevates the artists’ careers.

“It is also pertinent to note that the success of promoting a project shall not be easily realised if artists and their management teams do not give ample time to their project promotions campaign. It’s a cumulative and chain effect that results in successful project promotions campaigning,” he said.

Invited are artists, artist managers, corporates, and other creativepreneurs. For more information please search Facebook for the event “Pusha Maworks Workshop.”

Meanwhile, SAMM Co-founder Diana Elisha Nheera said that they have secured a venue for the workshop and it will be held in Eastlea at the Jasen Mphepo Little Theatre.

Steve Dyer to Perform with Selmor at the Tuku Concert

South African musician Steve Dyer will this Saturday 20 July 2019 have a chance to relive some of Tuku’s memories as he shares the stage with the late icon’s daughter Selmor Mtukudzi.

Dyer revealed this to Zimbuzz in an interview ahead of the National Arts Council of Zimbabwe (NACZ) organised concert to be held at Belgravia Sports Club in Harare.

For a man who has had a great impact on Tuku’s legacy, producing five Oliver Mtukudzi albums including the seminal “Tuku music”, it only befitting that he be included on the gig line up.

“I am going to perform with Selmor on Saturday and I have brought with me a trumpet player from South Africa,” he revealed.

Steve Dyer also said he was going to share the stage with songstress Ammara Brown.

He once settled in Zimbabwe where he formed the group Southern Freeway. Two albums were produced, Southern Freeway (1989) and Indlela yenkululeko (1992).

Steve came into contact here with the more introspective and often rhythmically complex mbira based Shona music, as well as reliving some Nguni based music playing with musicians that had Ndebele cultural roots.

He conceptualised, directed and performed with the first-ever substantive Southern African music collaboration “Mahube” in 1997.

Mahube toured Southern Africa and Europe and recorded 2 albums: Music from Southern Africa 1998 (SAMA nomination), Qhubeka 2003 (Kora award)).

Mahube line-up consisted of Dyer on sax, flute and vocals; Oliver Mtukudzi on guitar and vocals; much-loved Malawian George Phiri on guitar; award-winning South African singer and actress Suthukazi Arosi on vocals together with top session musician and vocalist Phinda Mtya.

The Saturday show is dubbed “Celebrating a Legend” and will feature a host of local acts like ExQ, Juntal, Bob Nyabinde, King 98, Zex Manatsa, The Charambas, Obert Chari, Killer T, Mbeu, Gary Tight and Munya Mataruse amongst many.

Three foreign artistes including Dyer have been invited, these are Mozambican singer Stewart Sukuma and Berita Khumalo

Jani in Ravaging form as Gems continue with their winning Party

Jani was in fine form in front of goal, as an injury-ravaged Barbados fell to another loss.

Zimbabwe had won the hearts of many neutrals with their performances in the competition so far, and came into the game with the possibility of earning a top-six finish at their first ever World Cup still alive.

By contrast, Barbados had just a solitary win to their name, picked up in their opening fixture of the tournament against Singapore.

This was the first ever World Cup meeting between the teams – both known as the Gems – and it was the Barbadians who made the quickest start, racing into a 4-1 lead early on.

Both sets of shooters were finding the target with apparent ease, and mid-court pressure allowed Zimbabwe – again roared on by their passionate band of supporters – to get back into the game, eventually levelling at 7-7.

The shooters on both sides all had unblemished records as the Zim Gems edged ahead, but it was the strong, composed presence of Jani at goal shooter for Zimbabwe who was becoming increasingly dominant.

Her accuracy, combined with fantastic work by her team-mates in their defensive third, allowed Zimbabwe to push out to 12-8 before Sheniqua Thomas recorded the first missed attempt of the match after ten minutes.

Mistakes were beginning to creep into the Barbadian play, with too many passes being over-thrown and disappearing off the back of the court.

Jani, who ended the quarter at 100%, ensured they were punished as the first 15 minutes finished 17-11 to the Zimbabweans.

The gap remained at six through the opening stages of a scrappy second quarter, but it wasn’t long before Jani was pushing Zimbabwe forward again.

The lead was 23-14 when Zimbabwe suffered an injury blow.

Perpetua Siyachitema suffered a heavy fall and went off to be replaced by Ndaizivei Madzikangwa, who came on to win her 50th international cap.

The change momentarily threw the Zim Gems, as Ursula Ndlovu registered their first missed attempt of the match.

Jani’s still-faultless shooting performance was being matched by the displays by her team-mates across the court though, and the Zimbabweans went in at half time 33-19 up.

The third quarter was marred by an injury to Barbados centre Rieah Holder, who went down heavily and left the arena via a wheelchair.

She was replaced by Amanda Knight, and though she and her team-mates ensured the closest quarter of the match, they still couldn’t stop the service to Jani ending in the inevitable consequence of further Zimbabwean goals.

The Zim Gems ended the quarter having grown their lead slightly – 48-32.

If Barbados suspected their luck was out, that suspicion will have grown during the final quarter, as Tonisha Rock-Yaw and the excellent Shonette Azore-Bruce collided with each other trying to intercept a pass into the goal third, leading to Azore-Bruce also going off injured.

Zimbabwe took full advantage of their opponents’ misfortune to extend their lead throughout the final quarter, chalking up a 66-41 win, as Jani ended with 51 goals from her 53 attempts.

The Zim Gems are now level with Malawi on four points, and play their African rivals in their final Group F game on Thursday.

Musician Johnny Clegg has died

Johnny Clegg, a groundbreaking South African musician, has died after a battle with pancreatic cancer. 

He was 66.

His manager Roddy Quin told the country’s state broadcaster that the singer died peacefully at home in Johannesburg on Tuesday.

Clegg’s multi-racial bands during white minority rule attracted an international following. 

He crafted hits inspired by Zulu and township harmonies, as well as folk and other influences, in defiance of racial barriers imposed by South Africa’s apartheid system decades ago.

One of his best-known songs is “Asimbonanga,” which means “We’ve never seen him” in Zulu. 

It refers to South Africans during apartheid when images of then-imprisoned Nelson Mandela were banned.

Clegg told South African news channel eNCA in December that the “toughest part of my journey will be the next two years.”

Zimbabwe Gems move to Preliminaries Stage Two

The group winners, along with the second and third-placed finishers in each of the four groups, now move forward to Group F or G, where the tournament’s top 12 teams will continue their battle to secure a semi-final berth.

The competition’s remaining teams: Sri Lanka, Singapore, Fiji and Samoa, now form their own group – Group E – where they will play in a round-robin format to determine who will contest the matches to decide 13th and 14th place, and 15th and 16th place.

For the teams in Group F (Australia, Northern Ireland, Zimbabwe, New Zealand, Malawi and Barbados) and Group G (Jamaica, South Africa, Trinidad and Tobago, England, Uganda and Scotland), previous results against teams within their new groups will carry over, ensuring that the teams who topped the preliminaries stage one groups go into the next phase with an advantage.

Zimbabwe plays New Zealand at 1000hrs CAT today (15 July 2019)

The top two teams in both groups will qualify for the semi-finals, while the remaining eight will contest matches to determine their overall placing (5th-12th) depending on their finishing position in Group F or G.

Zimbabwe Gems Edge Thriller Against Northen Ireland

In the battle to decide who would finish second to Australia in the group, the tussle went right down to the wire, with the lead changing hands multiple times before the Zim Gems held their nerve to edge over the line and spark wild celebrations in the crowd.

Northern Ireland started brightly, briskly taking a 5-1 lead in an opening period which gave no indication of the seesaw nature of the rest of the contest which was about to unfold.

As Zimbabwe clawed their way back into the game, captain Caroline O’Hanlon dictated play for Northern Ireland, working tirelessly to provide opportunities for Noleen Armstrong and Emma Magee.

At the other end, Joice Takaidza was keeping the scoreboard ticking over for Zimbabwe, although her attacking partner Ursula Ndlovu was struggling to find space in the shooting circle, and Northern Ireland finished the quarter 15-12 up.

Zimbabwe’s defence tightened in the second quarter, with Armstrong less clinical – she missed two opportunities as Zimbabwe reduced the deficit to just a single goal.  

The atmosphere – already electric – continued to build as the two sides traded blows in what was becoming one of the best games of the tournament so far.

Despite the rising pressure though, Takaidza was a calming, composed presence in the Zimbabwean attack, as the Zim Gems edged in front for the first time in the contest shortly before half time.

They ended the second quarter by reversing the score of the first, meaning that for the first game in the tournament half-time was reached with the scores level – 27-27.

The spine-tingling atmosphere continued into the second half of the contest, but it was Northern Ireland who settled to their task better, pulling away by four goals in the third quarter.

The evenly-matched nature of the two teams ensured that the lead didn’t last long though, and thanks in the main to the accuracy of Takaidza, Zimbabwe clawed their way back to even the scores again.

In the final minute of the quarter, the Zim Gems edged ahead again through substitute Sharon Bwanali, only for Magee to level proceedings at 39-39 going into the final quarter.

The back-and-forth nature of an absorbing contest continued deep into the final quarter, with Zimbabwe getting themselves just in front as the closing minutes approached.

With five minutes to go, Takaidza took their lead back out to two, and followed that up with a fantastic one-handed take and composed finish to ensure that the pressure mounted on Northern Ireland.

Magee responded by drawing the Warriors level at 49-49, but they couldn’t capitalise on having the next centre pass, giving away a contact foul as they approached the Zimbabwean circle.

Both teams then traded errors as the atmosphere reached fever pitch, and a fumble by the Northern Irish attackers proved crucial as Zimbabwe re-took the lead through Ndlovu with 80 seconds left.

Fittingly, it was Takaidza who then all-but ended the contest, putting her side 51-49 ahead – a lead which they held on to for the 55 seconds which remained, to claim a famous win.

Zimbabwe’s Ursula Ndlovu said:

“I wanted to cry at the end! I’m just happy – I don’t know what to say! The is one of the most challenging games I’ve played – it was very tough. The Zimbabwe fans – I want to say that I love them all! We try to make them proud.

“I’m so proud because our supporters are representing our country. There are so many supporters – they boost our confidence and we can’t disappoint them.”

Northern Ireland captain Caroline O’Hanlon said:

“We’re pretty gutted. We gave it everything but we made too many errors. We made errors across the four quarters and they were costly in the end – the game was there for the taking and we should have closed it out.”

How Sables Fared Against Zambia

Zimbabwe Rugby team got their 2019 Victoria cup campaign off the ground with an emphatic 39-10 win over Zambia at the Machinery exchange stadium, here is how the players fared in their opener and their ratings.

Loosehead prop – 7 -Henri Boshoff was impressive on debut, he was solid at scrum time as he kept Zambia on the back foot. Boshoff was also tremendous with the ball in hand and showed immaculate ball carrying skills.

Hooker-5-Keith Murray had a pretty average outing as he struggled earlier on in the game to find his jumpers at line out time but managed to rectify it later in the match.

Tighthead Prop-8- Tyran Fagan gave a good account of himself in his first runout in a sables shirt as he kept the opposition loose forward a tiring time in the scrums.

Lock-4-Godwin Mangenje rarely contributed anything in the match and could be the nerves that got the best of him on his debut. There was nothing to write home about him. He failed to finish the match as he was red carded for a dangerous tackle.

Lock– 5-Kudakwashe Nyakufaringwa had a quiet game and was not involved as much.

Open side Flank-8- Blithe Mavesere was arguably the most impressive player in sables colours as he constantly took the team over the advantage line with his strong running. He put in some big hits in defence. Mavesere linked with the backs well in attack.

Blindside flank-7-Brian Nyaude was a menace on the deck as he pounced on loose balls and contested for almost everything at the breakdown.

Eightman-6-Godfrey  Muzanarwo showed his immense ball carrying skills with the good forward ball and was solid of the base of the scrum. Muzanarwo looked a bit vulnerable in defence something he might need to work on but none the less he had a great debut.

Scrumhalf-6-Hilton Mudariki put in a mixed performance both in defence and offence. He commanded the forwards in a great manner and but at times recycled the ball too slow for a very hungry backline, who Wanted the ball a fraction faster.

Fly Half– 7- Brendon Mandivenga it was his first outing as sables skipper and his slowly growing in that number 10 jersey with each game. His ball distribution was exceptional while his tactical kicking was right on the money as he constantly gained vital territory for Zimbabwe. One worrying aspect of his play is fitness level. His match tempo dropped drastically in the last 20 minutes.

Inside Center-5- Ngoni Chibuwe was guilty of holding onto the ball too long in attack and barely allowed players outside him into the game. His centre pairing combination with Daniel Capsopoulos failed to click

Outside Center-8– Daniel Capsopoulos has brilliant rugby IQ, also had great awareness and popped out when he was needed and this resulted in him going over the whitewash twice. He was also Solid in defence.

Right Wing -5-Takudzwa Kumadiro did not have a good game, he struggled with his handling and failed to gather the ball at crucial times.

Left wing-7-Martin Mangongo had a good outing on the park as he was in the thick of action popping up everywhere and his efforts were rewarded with a try of his own.

Fullback-5-Kudakwashe Chiwanza struggled to clear his line and was also guilty of holding on the ball too long whenever he joined the line in attack

Replacements

Prop-5-  Tatenda Rwenyu struggled at scrum time when he came on as they were annihilated a couple of times by the visitors

Hooker-6-Mathew Mandioma was good with ball in hand as he punched holes in the Zambians defences and gave the team go forward ball.

Flyhalf– 6- Jerry Jaravazi only managed to play the last ten minutes and didn’t contribute that much.

Centre -8- Takudzwa Chieza injected much-needed life in the sables backline in the second half with superb running lines and gave the visitors a torrid time in defence. Chieza capped off his fine debut with two brilliant tries

Scrum-half-5- Ernest Mudzengerere was a pearl shadow of himself as he was very jittery when he came on. A lot of his passes went wayward and lost a lot of possession

Dawson names a New look Sables for Victoria Cup Opener

Zimbabwe rugby national team coach Brendon Dawson has named 8 debutants for the much-anticipated Test match against Zambia on 13 July at the Machinery exchange stadium.

Out of the 8 debutants, the most exciting prospect is loosehead Henri Boshoff who has a colourful junior rugby resume having played for the Pumas at Coca Cola Craven week under 13, 16 and 18s respectively.

Boshoff also played in the under 19 Currie Cup for Golden Lions before moving to the University of KwaZulu Natal where he teamed up with sables speedster Shayne Makombe in the varsity cup and lost in the final under the guidance of John Mitchell.

Zimbuzz Sports caught up with Henri Boshoff ahead of their Victoria cup opener: “It’s an Honour to finally earn my first cap for Zimbabwe if we are going to bring it home we got to bring our A game on Saturday, ” he said.

Utility back Brandon Mandivenga will captain the sables for the first time as they begin to build towards 2023 world cup.

Mandivenga will start in the number 10 jumper and will pair with Hilton Mudariki at halfback. This is a tried and tested combination which the technical team hopes it will work again come Saturday.

In midfield, it’s a totally new centre pairing where David Capsopoulos will start at outside-centre while his partner Ngoni Chibuwe will start at inside.

Capsopoulos is known as a no-nonsense centre who likes to put in big hits and has immaculate defensive skills.

Chibuwe is also highly rated in defence. This could be just what the sables needed given they have struggled in defence over the years.

In the back three, there is one debutant, left wing Martin Mangongo who is currently based in Poland playing for an outfit called Skra Warsaw.

Mangongo has blistering pace and fancy footwork. He will be an asset against Zambia if his teammates can create space for him to exploit. Takudzwa Kumadiro and Kudakwashe Chiwanza complete the trio.

This match is likely going to be won or lost up front if any team manages to dominate forwards battle will likely run away with it.

Whatever happens on Saturday it’s poised to be an intriguing counter.

Zimbabwe Starting XV
1-Henri Boshoff, 2-Keith Murray, 3-Tyran Fagan, 4-Kudakwashe Nyakufaringwa, 5-Godwin Mangenje, 6-Blithe Mavesere, 7- Brian Nyaude, 8-Godfrey Muzanarwo*

Scrum-half 9-Hilton Mudariki (VC)

Backs: 10-Brendon Mandivenga (C), 11-Martin Mangongo*,12- Ngonidzashe Chibuwe, 13-Daniel Capsopoulos, 14-Takudzwa Kumadiro, 15-Kudakwashe Chiwanza

Replacements. 16-Matthew Mandioma, 17-Tatenda Rwenyu, 18-Royal Mwale, 19-Moses Gunda, 20 -George Saungweme, 21-Ernest Mudzengerere, 22-Jeremiah Jaravaza ,23-Takudzwa Chieza*

*All with the Denotes are Debutants

Technical team
Head Coach Brendan Dawson
Assistant -Tonderai Chavhanga
Team Manager – Jason Maritz

#WCW to the girl next Door !

So one night last week I did a mad dash to watch a movie before ZESA dipped, and I bumped into HONEY 3.

Like who is still making those?? That franchise refuses to die just like Fast and furious, anyway obviously the storyline had to expand from America and they came to the next best place where they think there is culture AFRICA!

Well, we all know when they say Africa they really mean South Africa but I digress. The dance movie Honey is set in Cape Town and it’s about an American who grew up in south………

Sorry I fell asleep there for a moment, the only highlight of the movie was the resident enemy (You know the mean girl who won’t let the “honey” flourish) was actually kind of good and she struck me as an actual African.

You would only understand this if you have watched the many African movies with African lead characters played by American actors ..(Hello Black Panther ).

As the movie took so long to actually progress there was a delightful dance interlude where there was a SHONA House song and I was so HAPPY, I mean yassss.

So I did what everyone without Shazam does. I watched the entire movie including the credits to see the name of song and artist and wouldn’t you know MoGhel Ishani had a name I swore was Zimbo – Sibongile Mlambo.

A collage of Sibongile Mlambo

Like come on !! That is as Zimbo as Chipo Moyo, of course, my brother then went on to refute that there was no way that girl was Zimbo so as any self-respecting Journalist would do. I googled and I am pleased to say I WAS RIGHT.

Baby girl really is from down the Road and she is doing BIG Tings in the woods of holly.

So allow me, ladies and gentlemen, to be your plug for the one and only Sibongile Mlambo! Slayer of dance moves! Actor of Teen Wolf! African Siren!

No, I am not missing Game of Thrones but this chick has been in a ton of stuff that I don’t have access to so that’s why probably I didn’t know we came from the same hood.

She is in teen wolf (MTV) as Tamora, the voice of Margret in Ants, Donna in Siren and she has been in Black Sail (Eme), Last face (Assatu) and now She danced with a whole CASSIE in Honey.

I am Crushing hard !!! Go hard baby girl , you better work and put us on the map !

Stunner & Ba Shupi – Music’s Most Prolific Partnership

In 1996, Laker legend and General Manager Jerry West negotiated a series of trades and draft day deals that landed both Shaquille O’Neal and Kobe Bryant in Los Angeles.

Two of the most unguardable players the NBA has ever seen, on the same team. Kobe and Shaq were an unstoppable force of nature when paired together on the Los Angeles Lakers.

In football, if you could build an ideal strike force it looks something like Arsenal’s Thierry Henry and Dennis Bergkamp.

They had a fearsome partnership that could put the ball anywhere between the goal posts. The two were just as magical as best friends Andy Cole and Dwight Yorke of Manchester United were.

The same can be said of Stunner and Ba Shupi, the first duo to produce arguably hip hop’s biggest song.

In 2011 Godo topped every radio chat and was on every DJ’s rotation list, it became an anthem and the soundtrack of our lives.

During that time hitting 100 thousand views on YouTube was just as big as hitting a Million views today. And Godo did all that.

Eight years have gone by and the winning partnership has decided to pair again and it’s just as magical.

They did try it in 2017 when they dropped Akarohwa Mari , it could have been the realisation that theirs was a partnership as dangerous as Shutto and Bunjira were for Caps United.

Sunungura Marasta is another prolific example of how Stunner and Ba Shupi could be music’s most prolific pairing.

The song celebrates all the rastas, a metaphor for the ghetto hustlers and it has a well thought out video story.

The beat is a work of genius, it transitions from an Afropop sound in the first few seconds into the reggae sound with common traditional keys.

Watch Sunungura MaRasta below and tell us what you think